Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Illustrated from black and white photographs, maps. An interesting history of Greenbelt, Maryland including the origins of Greenbelt, the ideology of its founders, and their struggle to create a cooperative planned community in the United States. Built in the 1930s on worn-out tobacco land between Baltimore and Washington, D.C., the planned community of Greenbelt, Maryland, was designed to provide homes for low-income families as well as jobs for its builders. In keeping with the spirit of the New Deal, the physical design of the town contributed to cooperation among its residents, and the government further encouraged cooperation by helping residents form business cooperatives and social organizations.Part of the *Creating the North American Landscape* series. Clean copy.
Hardcover. San Francisco, Chronicle Books, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a bright. lightly worn dust jacket. 240 pages illustrated in color. A full-color survey of the architectural firm of Greene & Greene that almost single-handedly defined the Arts & Crafts aesthetic in America in the first decades of the 20th century. An in-depth tour of 25 magnificent homes examines the creative evolution of their style as well as surveying their greatest works. Light tape repair to spine of dust jacket.
Softcover. New York, Dell Publishing, 1st, 1946, Book: Very Good, Dust Jacket: None, 240 pages. Paperback. Dell Book #111. Minor wear to paper wrappers. Creasing to covers and spine. Map on rear cover. Small ink notation on first page. Cover art by Gerald Gregg.
Hardcover. NY, Harper & Brothers, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with yellow lettering. No dust jacket. 161 pages illustrated with 72 striking black-and-white photogravures by Berenice Abbott. Having spent most of the 1920s in Paris photographing such famous literati as James Joyce, Jean Cocteau and Andre Gide, Abbott returned to New York with the intention "to do in Manhattan what Atget did in Paris. " Throughout the 30s she captured New York "with a straightforward style that nodded toward 19th-century classicism while signaling a new sort of stripped-down modernism" (Roth, 100). Included here are her images of such artists as Isamu Noguchi, Edward Hopper, John Sloan and William Auerbach-Levy, each in their studios, along with numerous glimpses into the buildings, people and life of Greenwich Village. Text by Henry W. Lanier, editor, writer and son of renowned southern poet Sydney Lanier. Bright, clean copy.
Layton UT, Gibbs Smith, 1st, 2019, Book: Very Good, Dust Jacket: None, Oblong hardcover with pictorial boards. 176 pages. A curated vintage ephemera tour of Las Vegas through the first half of the twentieth century as it blossomed out of the desert sands into an entertainment mecca. The story of early to mid-twentieth-century Las Vegas in its gilded age as told through a fun and diverse collection of old photos, picture postcards, matchbooks, ads, and other vintage ephemera. Featured are classic glimpses of Fremont Street and the world-renowned Las Vegas Strip, landmarks such as the Sands and Riviera hotel casinos, and the cream of Hollywood glitterati, including Frank, Sammy, Dino, and the Rat Pack. Author Peter Moruzzi's sharp, witty, and sometimes irreverent commentary accompanies the visual treats and provides a unique historical take on the evolution of this desert playground.
Hardcover. Damiani, 1st, 2015, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap, 156 pages. Outside the Studio is photographer Greg Gorman's tenth monograph. This book takes Gorman (born 1949) outside the reaches of his studio portrait and figure-study work, for which he is best known, and onto the streets of Southeast Asia-uncharted territory for the artist. Traveling initially on behalf of Epson, giving symposiums on fine art digital printing throughout Singapore, Malaysia, China and India, Gorman got a firsthand look at these very different cultures at the very beginning of the digital revolution. The transition from analogue to digital cameras was another new experience for Gorman, who had shot film for more than 30 years. For Gorman, being in the studio with the likes of Marlon Brando or Robert De Niro was second nature, but being thrust in front of strangers in China, Kuala Lampur, India, Thailand, Cambodia and Vietnam was a new adventure.
Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.
Hardcover. Mineola NY, Calla/Dover Books, reprint, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, gilt-decorated green cloth. This Calla Edition of fairy tales by the Brothers Grimm is drawn from the mammoth collection first published in 1909 and illustrated by Arthur Rackham. His 40 full-color plates, plus innumerable black-and-white spot elements, get sensitive treatment in a design that retains the best features of the original, including the ornate gilt stamping on the cover.
Hardcover. Woodstock, VT, Countryman Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, SIGNED BY JACKSON ON HALF-TITLE PAGE. Black boards with cloth spine, color illustrated dust jacket. Slight rubbing to dust jacket, spine stiff and tight, crisp pages; a very clean, tight copy in great condition. Grootka, retired from the Detroit Police Department, returns as a mentor to Fang Mulheisen, and the two lives become dangerously entwined in a thirty-year-old unsolved case of rape and murder.
Hardcover. US, Fantagraphics Books, 1st, 2017, Book: Very Good, Dust Jacket: None, 79 pages. Hardcover with no dust jacket. A graphic novel of the German artist's life, b&w art by author. Clean, tight copy.
Hardcover. Seattle, Fantagraphics Books, 1st, 2017, Book: Very Good, Dust Jacket: None, 79 pages. Hardcover with no dust jacket. A graphic novel of the German artist's life, b&w art by author. Clean, tight copy.
Softcover. New York, Harper & Row, 1st, 1965, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, A collection of b&w cartoons by Lou Myers. Clean copy.
Hardcover. Boston, James R. Osgood, reprint, 1884, Book: Good, Dust Jacket: None, Hardcover, 439 pages. Mustard cloth with gilt and black decoration. Hinges cracked, spine cocked, shelfworn. Illustrated with a b&w frontispiece, text sketches throughout, no artist credit. Howard presents the story of a young girl living in the village of Plouvenec who works packing sardines. She falls in love with an artist while supplementing her income by modeling for artists in an artist colony.
NY, Hyperion, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Like-new in colorful dust jacket. When the new owners of the bed and breakfast arrive, they soon realize they're not the only ones who are interested in the place. The guests start arriving, one by one, and soon they're all trying to solve the mystery of who's behind the haunting.
Softcover. Belmont, CA, Wadsworth Thompson, 1st, 2003 , Book: Near Fine, Dust Jacket: None, 378 pages. Softcover. Color and b/w illustrations throughout. Wrapper excellent, like new. Pages clean and unmarked. Binding tight. Looks nearly new and barely used. designed for both beginning and advances drawing classes, this best seller explores all topics, media, and techniques that guide students in mastering basic skills and using those skills creatively and expressively.
Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.
Hardcover. London/New York, J.M. Dent/E.P. Dutton, 1st Revised Ed., 1909, Book: Very Good, Dust Jacket: None, Hardcover, 291 pages, 12 color plates plus b&w drawings by Arthur Rackham. Red cloth covers with ornate gilt decoration to front and spine. A revision of Rackham's 1899 Ed. New color plates. Excellent condition. Previous owner's signature on front end paper. Clean, bright copy.
Hardcover. London, Gibbings and Co., 2nd Ed., 1896, Book: Very Good, Dust Jacket: None, 341 pages. Hardcover with blue cloth covers with black and gilt design. An ex-library but aside from spine stickers and bookplate, a remarkably clean, tight copy. Doesn't appear to be a circulating copy. Tales of hunting throughout the world, but mostly in America, from snipe shooting to wolf coursing. Includes several fishing chapters; salmon in Japan, black and striped bass, grey mullet, brook trout and muskies, with a final chapter on artificial stocking of lakes and rivers.
Softcover. London, Hard Case Crime, 1st thus, 2008, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Joe DeVito. Life isn't always cheap south of the border--some lives are worth a million dollars. That's what the Mexican kidnapping cartel was demanding for Carl Ledbetter's wife. So Carl reached out to the one person he knew with a chance in hell of saving her, a deadly man whose own life he'd saved in the sands of Iraq. It was time to call in some favors. Because some situations call for negotiation, but some...call for gun work. Like new.
Softcover. London, Hard Case Crime, 1st thus, 2008, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Joe DeVito. Life isn't always cheap south of the border--some lives are worth a million dollars. That's what the Mexican kidnapping cartel was demanding for Carl Ledbetter's wife. So Carl reached out to the one person he knew with a chance in hell of saving her, a deadly man whose own life he'd saved in the sands of Iraq. It was time to call in some favors. Because some situations call for negotiation, but some...call for gun work. Like new.
Hardcover. San Diego, Harcourt Brace Jovanovich, 1st thus, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a award sticker. An illustrated edition of the classic poem, in which a British soldier recalls his experiences in the army in India and pays homage to the courage of the Indian water carrier Gunga Din. Lovely watercolor art by Robert Andrew Parker. Clean copy.
Hardcover. New York , Harry N. Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. "Christian M. Nebehay, a leading Klimt scholar who knew the artist personally in the last year of his life, places Klimt in the context of the society which he both shocked and delighted. The best of his abundant sketches and the finished paintings which they precede are brought together for the first time, juxtaposed to alllow direct comparison" With 370 illustrations including 135 plates in full color.
Hardcover. Syracuse NY, Syracuse University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 186 pages, 116 illustrations. "The first serious study of the totality of Stickley's accomplishments, especially his architecture", and as a central figure in the American Arts and Crafts Movement as founder of The Craftsman and of the Stickley Workshops. Bibliographical references, pages 169-181. Clean copy.
Hardcover. NY, Harper & Row , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 383 pages. Illustrated with black & white plates. A vivid picture of French art and society in the revolutionary years of the mid-nineteenth century. Previous owners name at top of front endpaper. Clean, tight copy. Dust jacket spine faded.
Hardcover. NY, James Graham & Sons, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Color plates throughout. Color pictorial dust jacket. Blue cloth boards with silver lettering along spine. B&w frontispiece. clean, tight copy. A monograph on the work of Gu Pene Du Bois, an American painter known for his depiction of American culture in the early 1900s, with this book discussing his murals and portrait paintings, among other work.
Hardcover. US, powerHouse Books, 1st, 2007-11-01, Book: Very Good, Dust Jacket: None, Light edgewear to illustrated boards, else a clean, tight copy. After attending a first Hair Wars show at the Apollo Theatre in Harlem in 2004, photographer David Yellen and fashion writer Johanna Lenander decided to document, through portraits and interviews, the creative power of the most acclaimed Fantasy Hair stylists nationally. 'Hair Wars,' the first photography book to document this phenomenal art form, presents a series of 74 four-color photographs that were taken in several Hair Wars shows around the country between 2004 and 2006. 102 pages, 75 color plates.
Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Light edgewear to illustrated boards, else a clean, tight copy. After attending a first Hair Wars show at the Apollo Theatre in Harlem in 2004, photographer David Yellen and fashion writer Johanna Lenander decided to document, through portraits and interviews, the creative power of the most acclaimed Fantasy Hair stylists nationally. 'Hair Wars,' the first photography book to document this phenomenal art form, presents a series of 74 four-color photographs that were taken in several Hair Wars shows around the country between 2004 and 2006. 102 pages, 75 color plates.
Softcover. Berkleley, CA, Berkeley, CA, 1st wraps, 1989, Book: Very Good, Dust Jacket: None, 119 pages. Clean, tight copy. Color, black & white illustrations by Gahan Wilson. French fold flaps. Paperback.
Softcover. NY, Brooklyn Museum : exclusively distributed by H. N. Abrams, 1st, 1978, Book: Good, Dust Jacket: None, 176 pages, illustrated throughout in color and b&w. Previous owner's blind stamp on front end paper. Light edgewear, rubbing and creasing to wrappers, else a clean, tight copy.
Hardcover. London, V & A Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 240 pages. From the emergence of Bill Haley and his Comets to the meteoric rise of the Beatles and the Rolling Stones, Halfway to Paradise is an extraord Wer'e allowed see near legendary performers still at the height of their powers like Gene Vincent, Eddie Cochran, Little Richard from the State, and Lonnie Donnegan, Marty Wilde, Billy Fury, and Petula Clark of England. This pictures, posed or candid, are well done and open us to a world of music from the golden age of British rock.
Hardcover. Barcelona, Spain, Syzygy, 1st, 2010, Book: Very Good, Dust Jacket: None, 95 pages. Hardcover with padded covers. Color pictures throughout of Fran Bull sculptures. Clean, tight copy with minor wear to edges.
Softcover. Old Lyme CT, Lyme Historical Society, 1995, Book: Very Good, Softcover, 162 pages. Part of the Lyme Heritage Series: a series of essays about Hamburg Cove, Lyme, Connecticut, accompanied by photographs/paintings in b&w and color. Clean copy.
Softcover. New York, Harcourt Brace Jovanovich, 1st Edition, 1980, Book: Very Good, Dust Jacket: None, Nonpaginated. Softcover. B/w illustrations throughout. Wrapper clean and very good. Pages clean and unmarked. Binding tight. Edges have a touch of tanning from age.
Hardcover. NY, Grand Central Publishing, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with blue cloth spine. Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject, the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation. Hamilton: The Revolution gives readers an unprecedented view of both revolutions, from the only two writers able to provide it. Miranda, along with Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages -- "since before this was even a show," according to Miranda -- traces its development from an improbable performance at the White House to its landmark opening night on Broadway six years later. In addition, Miranda has written more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is published here.
Hardcover. London, Titan Books, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, Over fifty years ago, with the release of The Curse of Frankenstein and Christopher Lee in Dracula, Hammer ushered in a whole new era of blood and barely restrained cleavage in glorious color, mixing sex and horror with a style and panache that made the small British company world famous. Bursting at the seams with rare and previously unpublished photographs from Hammer's archive and private collections worldwide, and featuring many new interviews, Hammer Glamour is a lavish, full color celebration of Hammer's female stars, including Ingrid Pitt, Martine Beswick, Caroline Munro, Barbara Shelley, Joanna Lumley, Nastassja Kinski, and of course Raquel Welch (who can forget her fur bikini in One Million Years B. C.?).
Softcover. Lark Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 416 pages, illustrated in color. Feast your eyes on more than 300 of today's most creative, imaginative, and gorgeous hand-made guitars--all illustrated in full color and featuring information about the innovative artisans who created them. Meet guitar-making legends, such as C.F. Martin, Les Paul, and Leo Fender, who revolutionized the instrument's design. Discover why the past 25 years have seen an explosion of craftspeople who build guitars by hand, employing an attention to detail factories can't afford and using higher quality materials and more technical skill than in any previous era. Explore the various guitar styles used in a range of musical traditions, from blues to classical. Detailed information about each guitar's specifications, plus personal statements and anecdotes from the artisans about their work and techniques complete each entry.
Softcover. Athens, Blurb Inc., Reprint, 2010, Book: Very Good, Dust Jacket: None, 384 pages. Softcover printed to accompany the exhibition by the same title, appearing in multiple venues, including, Ruby Green Gallery, Nashville TN May - June 2003 and Athens Institute for Contemporary Art, Athens GA, August - September 2010. Bright, full page, full color photographs throughout. Clean, unmarked copy.
Los Angeles, circa 1980, Book: Very Good, A valentine greeting drawn with pen and color markers on white paper stock and signed 'Bill M." Approx. Bill Melendez was a animator who started at the Disney Studios in the late 30s and later became famous for directing the Peanuts animated specials for TV in the 1970s. The recipient of the card, Flanzy Lewis, was a reporter for Rona Barrett's Hollywood Magazine who interviewed Melendez.
Hardcover. New Haven, CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.
Hardcover. NY, Bloomsbury, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 200 pages with gray paper boards in a black slipcase, unpaginated. Illustrated with full page color plates. A gorgeous collection from one of the world's legendary photographers- capturing human hands in all their vitality. At the end of a session, photographer Eve Arnold always took a parting shot of the hands -and sometimes the feet- of her sitters, for luck and for her personal records. "Handbook with Footnotes brings together two hundred of these superb pictures. A photojournalist who traveled around the world, Eve Arnold also worked on the sets of more than 40 Hollywood movies. These photographs, therefore, which span her career, include such luminaries as Isabella Rossellini, Orson Welles, Marilyn Monroe, and Jimmy Stewart.
Softcover. Collegeville MN, Liturgical Press, 1st, 2021, Softcover, pictorial wrappers, 388 pages. In this book, David N. Bell explores what Cistercian writers and preachers have said about Mary from the time of the founding fathers of the Order to Armand-Jean de Rance, who introduced the Cistercian Strict Observance and who died in 1700. This work is divided into three parts. The first part presents some selective background material on Mary that is necessary for understanding where the Cistercian writers are coming from and the sources and ideas they are using. The next eight chapters, the second part of the book, examine the Marian ideas of Cistercian writers from Bernard of Clairvaux to a number of visionaries, both male and female, who take us to the very end of the thirteenth century. There is then a gap of more than three centuries--the reasons are given at the end of chapter 12--before we arrive at the birth of Armand-Jean de Rance in 1626. The final chapters--part 3 of the book--summarize the life of Rance, examine the place of Mary at La Trappe, and present annotated translations of Rance's five conferences for three Marian feasts: the Nativity of Mary, the Annunciation, and the Assumption. Clean copy.
Hardcover. NY, Simon & Schuster, 1st, 1949, Book: Very Good, Dust Jacket: Fair, Hardcover in an rubbed, edgeworn and chipped jacket. The third novel in Kane's hardboiled mystery series featuring sophisticated, smart-mouthed NYC private eye, Peter Chambers, this time running an errand for a friend and finding a blonde with a bullet in her head. Paper tanning. Author hams it up on photo on rear panel of dust jacket.
Hardcover. New York, Duell, Sloan & Pearce, 1st, 1955, Book: Very Good, Dust Jacket: None, Hardcover, illustrated orange boards, unpaginated. A collection of Partch cartoons previously published in Colliers and Look. Clean copy, light wear to extremities, color fade to spine, edges.
Hardcover. Rutland VT/Tokyo, Charles E. Tuttle, 2nd pr., 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with many fine photogravure plates, several in color. 161 pages.
Hardcover. Seattle, Fantagraphics Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcovers in a slipcase, 672 pages. A swell custom-designed case containing the first two volumes of Hank Ketcham's Complete Dennis the Menace with strips from the years 1951 through 1954.
Hardcover. Seattle, Fantagraphics Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcovers in a slipcase, 672 pages. A swell custom-designed case containing the third and fourth volumes of Hank Ketcham's Complete Dennis the Menace with strips from the years 1955 through 1958.
Hardcover. Racine WI, Whitman, 1st, 1962, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, color art by the Mattinsons based on the animated TV show.