Softcover. Greenwich, CT, Fawcett Gold Medal Publishing, 2nd, 1961, Book: Very Good, Dust Jacket: None, 174 pages. Paperback. Gold Metal Book #s1078. Cover art by Lou Kimmel. Small ink notation on 1st page. Light creasing to paper wrappers.

Softcover. New York, Dell Publishing, 1st, 1963, Book: Very Good, Dust Jacket: None, 192 pages. Paperback. Dell Book #6052. Minor wear to paper wrappers. Cover art by Robert McGinnis.

Softcover. New York, Dell Publishing, 1st, 1959, Book: Very Good, Dust Jacket: None, 192 pages. Paperback. Dell Book #D298. Minor wear to paper wrappers. Creasing to covers and spine. Cover art by Victor Kalin. Ink notation on first page.

Hardcover. New York, St. Martins, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. SIGNED BY SAYLOR on title page. Tight copy.

Hardcover. London, Allison & Busby Limited, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY MARSTON on the title page. October 1854. As an autumnal evening draws to a close, crowds of passengers rush onto the soon to depart London to Brighton Express. A man watches from shadows nearby, grimly satisfied when the train pulls out of the station. Chaos, fatalities and unbelievable destruction are the scene soon after when the train derails on the last leg of its journey. What led to such devastation, and could it simply be a case of driver error? Detective Inspector Colbeck, dubbed the 'railway detective' thinks not. But digging deep to discover the target of the accident takes time, something Colbeck doesn't have as the killer prepares to strike again. Clean copy.

Hardcover. NY, Harper and Brothers, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Murdoch, an only mouse, learns to play croquet in this disarmingly sweet little picture-book tale with enchanting b&w pointillist drawings by D.H. ("a well-known artist who wishes to remain anonymous" reads the jacket flap.) Clean copy.

Hardcover. Minneapolis, University Of Minnesota Press, 1st, 2016, Hardcover in a bright dust jacket. The year 2016 will mark the centennial of the birth of Albert Murray (1916-2013), who in thirteen books was by turns a lyrical novelist, a keen and iconoclastic social critic, and a formidable interpreter of jazz and blues. Not only did his prizewinning study Stomping the Blues (1976) influence musicians far and wide, it was also a foundational text for Jazz at Lincoln Center, which he cofounded with Wynton Marsalis and others in 1987. Murray Talks Music brings together, for the first time, many of Murray's finest interviews and essays on music--most never before published--as well as rare liner notes and prefaces.For those new to Murray, this book will be a perfect introduction, and those familiar with his work--even scholars--will be surprised, dazzled, and delighted. Highlights include Dizzy Gillespie's richly substantive 1985 conversation; an in-depth 1994 dialogue on jazz and culture between Murray and Wynton Marsalis; and a long 1989 discussion on Duke Ellington between Murray, Stanley Crouch, and Loren Schoenberg. Also interviewed by Murray are producer and impresario John Hammond and singer and bandleader Billy Eckstine. All of thse conversations were previously lost to history. A celebrated educator and raconteur, Murray engages with a variety of scholars and journalists while making insightful connections among music, literature, and other art forms--all with ample humor and from unforeseen angles.

Hardcover. New York, 1st, February 1991, Book: Very Good, Dust Jacket: Very Good, 414 pages. illustrated throughout in color and b&w. Maroon cloth, gilt title to front and spine, pictorial dust jacket. Slight foxing to top edge and upper edge of lightly worn jacket, else a very nice, tight copy.

Softcover. NY, Museum of Modern Art, 1st, 1953, Book: Very Good, Dust Jacket: None, 7 1/2" x 10 1/2", twenty-four page exhibition catalog is bound in stapled wrappers and is in VG+ condition. B&W reproductions and photographs. Foreword by William S. Lieberman, Curator of Prints for MOMA.

Hardcover. Toronto, Madison Press Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages illustrated in color. Offering a thrilling introduction to the underworld of stolen art, this investigation reveals the little-known story of modern art theft and shows how the legitimate art market, with its hyped auctions and landmark sales, has ignited criminal interest in these high-end pieces. The photographs, illustrations, and case studies give a fascinating and detailed behind-the-scenes account of the major thefts during the past hundred years?ranging from Edvard Munch's The Scream and looting during World War II and the Iraq wars to a brazen and bizarre theft of a two-ton bronze Henry Moore sculpture. A gallery lists the estimated value of each stolen piece, painting an overview of the cultural, historical, and economic losses. Clean copy, mild fade to spine.

Softcover. Lanham MD, Scarecrow Press, 2006, Book: Very Good, Dust Jacket: None, Softcover, 331 pages, b&w illustrations. Like most ground-breaking art forms, contemporary creative music is rarely understood or accepted in its own time, and for those reasons, can largely go unheard. Music and the Creative Spirit: Innovators in Jazz, Improvisation, and the Avant Garde aims to give today's brightest music innovators due recognition and respect, celebrating their work and creativity. Through personal interviews, artists such as Pat Metheny, Regina Carter, Joshua Redman, Fred Anderson, Dave Holland, Bill Frisell, David Murray, and John Zorn-to name just a few-offer clear, frank discussions about music, creativity, work, society, culture, current events, and more. Clean, bright copy.

Hardcover. NY, William Morrow, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with light chipping, 180 pages. Ortiz Montaigne Walton was the first African-American member of the Buffalo Philharmonic Orchestra and a prominent figure in African-American studies. He performed in Buffalo for three seasons, before moving on to become the first African-American member of the Boston Symphony Orchestra. Mr. Walton later was principal contrabassist with the Cairo Symphony Orchestra in Egypt and performed a number of acclaimed solo recitals. Dust jacket art is a photo-montage by Romare Bearden.

Softcover. Calgary CA, University of Calgary Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 615 pages. Critical forces of culture and nature collide in this comprehensive history of Ellesmere Island in the age of contact. Surveying the nineteenth and early twentieth centuries, Lyle Dick presents an impressive treatment of European-Inuit contact in the High Arctic (the area of what is now the Quttinirpaaq National Park) while considering the roles of the natural environment and cultures as factors in human history. As he charts the dynamic interplay between change and continuity in this forbidden land, Dick unravels the complexities of cultural exchange and human relationships to the Arctic landscape. Muskox Land provides a meticulously researched and richly illustrated treatment of Canada's High Arctic as it interweaves insights from historiography, Native studies, ecology, anthropology, and polar exploration. Winner of the Harold Adams Innis Prize for Best English Language Book in the Social Sciences, Canadian Federation for the Humanities and Social Sciences. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jscket, 224 pages. The influence of traditional and religious groups on modern politics. The author investigates the political role of religious organizations in the West African country of Senegal. Upon independence in 1960. Senegalese politicians adopted the pattern of cooperation established by the French. Behrman, examining the present role of the brotherhoods, analyzes their inter-relationships as well as their relations with political parties, government officials, the government reform program, and modern Muslim reform groups. She reveals that Senegalese officials often defer to the opinion of the strongest marabus and that, in times of crisis or uncertainty with in the government party, the Union Progressiste Senegalaise, they turn to the marabus for support. She also shows that, although the Muslim leaders occupy such a privileged position in Senegalese society, they do not actually control the government, which issecularand modern in form and is led by Western-educated men devoted to a program of industrialization and agricultural and social reform. Name on half-title page otherwise clean.

Hardcover. NY, Philomel Books, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, 40 pages, color art by Eric Carle. With unused apron in vinyl case, as new issued at rear of book. The last page has a short 1/2" tear at top, small crease, otherwise very good.

Hardcover. NY, Dutton, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, b&w cartoons by the New Yorker artist. Lacks dust jacket. Clean copy.

NY, Golden Press, 1st, 1956, Book: Good, Dust Jacket: None, Hardcover, pictorial glazed boards. Color Illustrations by Garth Williams. Illustrated end papers. Edgewear and soil to covers. Bottom of spine torn.

Hardcover. Birmingham AL, Reading Matter.Com, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Previous owner's inscription on front fly leaf. Set in the South in the 1930s, Johnny and Will are identical twin boys who are separated at an early age. Will is part of a happy, well-off family near Birmingham, Ala. In Tennessee, Johnny is trying to survive neglect and abuse at the hands of his mean-spirted aunt. When Johnny sees a boy on a train who looks just like him, he is determined to meet him, despite every hurdle Aunt Min places in his path. Illustrated in b&w by Leanna Lesley.

Hardcover. NY, Pegasus Books, 1st, 2020, Hardcover in a bright dust jacket, 242 pages. A finely wrought coming-of-age memoir about the author's relationship with her beloved grandfather Joe Simon, cartoonist and co-creator of Captain America. In the 1990s, Megan Margulies's Upper West Side neighborhood was marked by addicts shooting up in subway stations, frequent burglaries, and the "Wild Man of 96th Street," who set fires under cars and heaved rocks through stained glass church windows. The world inside her parents' tiny one-bedroom apartment was hardly a respite, with a family of five-including some loud personalities-eventually occupying the 550-square-foot space. Salvation arrived in the form of her spirited grandfather, Daddy Joe, whose midtown studio became a second home to Megan. There, he listened to her woes, fed her Hungry Man frozen dinners, and simply let her be. His living room may have been dominated by the drawing table, notes, and doodles that marked him as Joe Simon the cartoonist. But for Megan, he was always Daddy Joe: an escape from her increasingly hectic home, a nonjudgmental voice whose sense of humor was as dry as his farfel, and a steady presence in a world that felt off balance. Evoking New York City both in the 1980s and '90s and during the Golden Age of comics in the 1930s and '40s, My Captain America flashes back from Megan's story to chart the life and career of Rochester-native Joe Simon, from his early days retouching publicity photos and doing spot art for magazines, to his partnership with Jack Kirby at Timely Comics (the forerunner of Marvel Comics), which resulted in the creation of beloved characters like Captain America, the Boy Commandos, and Fighting American. My Captain America offers a tender and sharply observed account of Megan's life with Daddy Joe-and an intimate portrait of the creative genius who gave us one of the most enduring superheroes of all time.

Softcover. London/Ibadan, Nigeria, Heinemann, reprint, 1999, Book: Good, Dust Jacket: None, Softcover, 178 pages. Text augmented by 13 black and white plates, and by eight sketch maps. The first book on the Nigerian Civil War written by one of the top commanders, Obasanjo was a Colonel when the war started but he rose to become Commander of 3 Marine Commando Division, "which played a crucial role in winning the [war] for the Federal Government". A well regarded and highly authoritative book of interest to the Africa historian as well as to militarists, the author gives a detailed account of the military operations on all fronts. In later years, he became Head of State from 1976 to 1979 before handing over to an elected civilian regime, and he remains a much respected figure. Cheaply produced book but a solid copy. No marking.

Hardcover. London, Tom Stacey, 1st UK, 1970, Book: Very Good, Dust Jacket: Very Good, 192 pages, b&w cartoons by Addams. Previous owner's inscription on half title page otherwise clean in a bright, unclipped dust jacket.

Hardcover. London, Chatto & Windus, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, satirical comic strips on the famous, recounting of a typical day by the former Australian, now New Yorker cartoonist. No dj issued.

Hardcover. New York, Simon and Schuster, 1st, 1963, Book: Very Good, Dust Jacket: Good, 96 pages, b&w cartoons by Price, most from The New Yorker. Dust jacket bright but with a small chunk gone from bottom of front panel and some light chipping.

Hardcover. London, Patrick Hardy, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 48 pages Illustrated with Ardizzone Christmas Cards in black/brown/blue & white. Very nice, clean condition. Hardbound, dust jacket.

Hardcover. NY, Harcourt Brace, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Alice Provensen. In this illustrated "family album," Caldecott medalist Alice Provensen offers a unique glimpse of the people who shaped America, from Pocahontas to Edgar Allan Poe to Martin Luther King Jr. This 60-page, oversized hardcover is rich with portraits of artists, enduring icons, outlaws, radicals, visionaries, composers, writers, inventors, and reformers. On the "Naturalists and Ecologists" page, Rachel Carson is joined by water analyst Ellen Swallow Richards, painter and ornithologist John James Audubon, and agricultural chemist George Washington Carver. While quotations from famous Americans mark every page, the book's focus is purely pictorial. The visual montages present an interesting jumping-off point for further exploration of some of America's rogues and luminaries. Clean copy.

Hardcover. NY, Harcourt Brace, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Alice Provensen. In this illustrated "family album," Caldecott medalist Alice Provensen offers a unique glimpse of the people who shaped America, from Pocahontas to Edgar Allan Poe to Martin Luther King Jr. This 60-page, oversized hardcover is rich with portraits of artists, enduring icons, outlaws, radicals, visionaries, composers, writers, inventors, and reformers. On the "Naturalists and Ecologists" page, Rachel Carson is joined by water analyst Ellen Swallow Richards, painter and ornithologist John James Audubon, and agricultural chemist George Washington Carver. While quotations from famous Americans mark every page, the book's focus is purely pictorial. The visual montages present an interesting jumping-off point for further exploration of some of America's rogues and luminaries. Clean copy.

Hardcover. NY, Abrams, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 72 pages. A true masterpiece of book design and illustration for beginning readers, this collection pairs well-known nursery tales with uniquely beautiful period illustrations that look as fresh and vital today as they did six decades ago, when the book was first published in Great Britain. Never before published in the United States, My First Nursery Book features four beloved stories: "Who Killed Cock Robin?," "The Gingerbread Man," "Three Little Pigs," and "The Three Bears." Franciszka Themerson, a Polish avant-garde artist and filmmaker who returned to children's book illustration as a refugee in London in the 1940s, is regarded as one of the great talents in classic children's book illustration. Finally, American children can experience and enjoy this remarkable volume, filled with stunning illustrations that will bring a new audience to Themerson's genius.

Hardcover. London, The Cresset Press, 1st UK, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages. 3rd volume of the autobiography of this celebrated thinker and writer on philosophical and metaphysical matters. The greater part deals with the period he spent in England, in Oxford, Cambridge and elsewhere, and his circle of brilliant friends and acquaintances.

Hardcover. Editorial Gustavo Gili, SA, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 191 pages. Hardcover. Color and b/w illustrations throughout. Previous owners initials on upper right endpapers. front dust cover has former bookstore price tag residue. Very clean inside and out. In excellent condition. A collection of houses in which the 'residents-cum-creators' have devoted all of their ingenuity, energy and determination into constructing what they perceive to be the ideal domestic universe. They include Ludwig II of Bavaria's Linderhof, the Cesar Manrique Villa in Lanzarote, Salvador Dali's villa in Spain, Edward James' villa in Mexico, Grandma Prisbrey's Bottle Village, Ian Hamilton Finlay's Little Sparta, Alex Jordan's house on the rock and William Randolph Hearst's Xanadu.

Softcover. New York, Pocket Books/Permabooks, 1st, 1958, Book: Very Good, Dust Jacket: None, 197 pages. Paperback. Pocket Book #1189. Photographic cover art. Light creasing to wrappers.

Softcover. NY, Vintage, reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, b&w photos. Clean copy. A provocative memoir from Luis Bunuel, the Academy Award winning creator of some of modern cinema's most important films, from Un Chien Andalou to The Discreet Charm of the Bourgeoisie.Luis Bunuel's films have the power to shock, inspire, and reinvent our world. Now, in a memoir that carries all the surrealism and subversion of his cinema, Bunuel turns his artistic gaze inward. In swift and generous prose, Bunuel traces the surprising contours of his life, from the Good Friday drumbeats of his childhood to the dreams that inspired his most famous films to his turbulent friendships with Federico Garcia Lorca and Salvador Dali. His personal narratives also encompass the pressing political issues of his time, many of which still haunt us today--the specter of fascism, the culture wars, the nuclear bomb. Filled with film trivia, framed by Bunuel's intellect and wit, this is essential reading for fans of cinema and for anyone who has ever wanted to see the world through a surrealist's eyes.

Hardcover. London, Heinemann, 1st, 1947, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with silver lettering on spine. A gripping whodunnit following the detective Sir Henry Merrivale and the Scotland Yard's Chief Inspector Humphrey Masters. The mystery surrounds a man who has conveniently married four women, each of whom promptly disappear on their honeymoons, before he seems to vanish himself. No dust jacket. Book is very good, no markings. By John Dickson Carr under the pen name Carter Dickson.

Hardcover. University Press of Mississippi, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, text by Morris, color photos by David Rae Morris. The author's last book, written in his characteristically limpid, lyrical prose, offers a heartfelt appreciation of his home state, a place often dismissed as poor and backward by "outlanders," Morris' term for non-Mississippians. This is not a defensive recitation of Mississippi's virtues nor is it a whitewash of its less-than-attractive features. First, Morris wants the reader to understand the state's beauty--"physically beautiful in the most fundamental and indwelling way, [in that] it never leaves you." Then, with both pride and understanding, he brings into sharp focus Mississippi's peculiar tensions and ambivalence and also its passions--"we are a singular people," he says of his native folk. The second half of the book is an album of full-color photographs taken by Morris' son, a professional photojournalist. These shots informally capture ordinary moments in the lives of Mississippians, from a young couple standing next to their truck with their new baby in their arms to a group of local citizens hanging out in front of the main store in a small town. Together, the text and the photographs showcase Mississippians doing what they do best--being themselves completely without artifice. Clean copy.

Hardcover. New York, Platt and Munk, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with pictorial label. Beautiful full page color plates by Eulalie, Victor G. Becker and Arthur O. Scott. Corners worn, cloth spine with a short tear. Previous owner's color sticker on front fly leaf otherwise clean.

Hardcover. Kenosha, WI, John Martin House , 1st, 1946, Book: Very Good, Dust Jacket: None , Color illustrations by Kippy. A twin book. Plastic spiral-bound. Heavy paper covers. Minor wear to edges.

Hardcover. New York, Macmillan, 1st, 1948, Book: Good, Dust Jacket: None, Hardcover. Illustrated in color by the Petershams. A clean, crisp baby book with nothing written in. In a poor slipcase wih some partial splitting to 2 edges, and heavy chipping to edges.

Hardcover. Chicago, McClure, Phillips and Co., 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, gray illustrated boards with brown cloth spine. A collection of b&w cartoons from two Chicago papers. Unpaginated, about 150 cartoons printed on one side only. Clean, tight copy with some light wear to covers at corners.

Hardcover. NY, Viking, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, b&w photos, in a bright dust jacket. The true, little-known story of a family torn apart by revolution and war. Olga Chekhova, a stunning Russian beauty, was the niece of playwright Anton Chekhov and a famous Nazi-era film actress who was closely associated with Hitler.

Hardcover. New York, Criterion Books, 1st, 1965, Book: Good, Dust Jacket: Good, Hardbound, 153 pages. Black & white illustrations by Omar Davis. Light edgewear. Dust jacket with light soiling, rubbing, chipping. Brodart cover.

Softcover. US, Simon & Schuster , 1st, 1989, Book: Very Good, Dust Jacket: None, 127 pages. Softcover. A collection of b&w drawings by The New Yorker cartoonist. Light edgewear to wrappers.

Hardcover. Princeton, Princeton University Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 552 pages. Hardcover. Bollingen Series C. Dust jacket with light wear, tears to edges, price clipped. Full color and black & white photographs throughout. Clean unmarked text.

Hardcover. NY, Scribner's , 1st, 1912, Book: Very Good, Dust Jacket: Poor, Hardcover, 44 pages. Verse w/ 2-color plates by Herford. Dj chipped, repaired, chunks gone.

Softcover. NY, Metropolitan Museum of Art, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, (large, 12"x9") with brown and black lettering on spine, 272 pages, including chronology, bibliography, and index. Richly illustrated throughout with photographs from the exhibition and ample background and documentary images. Profusely illustrated in BW. Catalogue of an exhibition at Musee d'Orsay from June 7 to September 11, 1994 and at the Metropolitan Museum of Art from April 14- July 9, 1995. Small bump to top of spine, barely noticeable, clean copy.

Hardcover. New York, Alfred Van der Marck, 2nd printing, 1985, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with minor wear to edges. Color artwork throughout. Clean.

Softcover. London, Creation Books, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 250 pages. Celebrating the celluloid expression of the Beat spirit--arguably the most sustained legacy in U.S. counterculture--Naked Lens is a comprehensive study of the most significant interfaces between the Beat writers, Beat culture, and cinema. Naked Lens features key Beat players and their collaborators, including William Burroughs, Allen Ginsberg, Jack Kerouac, Charles Bukowski, Brion Gysin, Antony Balch, Ron Rice, John Cassavetes, Andy Warhol, Bob Dylan, Klaus Maeck, and Gus van Sant. As well as examining clearly Beat-inspired films such as Pull My Daisy, Chappaqua, and The Flower Thief, Jack Sargeant discusses cinema verite and performance films (Shadows and Wholly Communion), B-movies (The Subterraneans and Roger Corman's Bucket of Blood), and Hollywood adaptations (Heart Beat and Barfly).The second half of the book is devoted to an extensive analysis of the films relating to William Burroughs, from Antony Balch's Towers Open Fire to David Cronenberg's Naked Lunch. This book also contains the last ever interview with writer Allen Ginsberg, recorded three months before his death in April 1997.

Hardcover. US, Antique Collectors Club , 1st, 2010, Book: Near Fine, Dust Jacket: Near Fine, Like new in publishers shrink-wrap. Hardcover, 240 pages, mostly bw photos, some color. This book depicts, both in pictures and biographical text, the life and work of Mabel Julianelli, starting as a pattern designer in Brooklyn, NY. Beginning with her student years studying commercial art at Pratt Institute in the 1920s, and spanning her 40-plus year career, Mabel Julianelli, with her husband and partner Charles Julianelli, is credited with many constructional, interpretative, and fashion firsts. Her 1950 Coty Award-winning naked evening sandal, which had versions into the 1960s and 1970, is vital today due to the resurgence of ballroom dancing (i.e. 'Dancing With The Stars'): a style Mabel Julianelli first designed at a time when nobody wore sandals as evening wear. Mabel Julianelli's 1940s wedge sandal patent was referenced by Nike, Inc. in the 1990s and her shoe designs and ornaments were referenced by Jimmy Choo Ltd. in 2004-2006, among others. Her forte was the wearable, comfortable construction of shoes so it is no wonder that today's shoe companies have referenced her 1940s patents.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 116 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. Chrysalis, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Color illustrations throughout.

Hardcover. New York, DC Comics, 2nd, 2002, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.