Hardcover. np, self-published, 1967, Book: Good, Dust Jacket: None, Hardcover, green cloth covers with gilt title on spine, ship drawing on front cover. 280 pages. A collection of articles and a manuscript written by Julia Louisa Keyes (1828-1877). She was the daughter of novelist Caroline Lee Hentz and wife of Dr. John W. Keyes of Montgomery, Ala. The collection is a typescript of "Our Life in Brazil," a combination of diary, reminiscences, and letter copies, compiled in 1874 by Julia Louisa Hentz Keyes about her experiences in Brazil, 1867-1870. Keyes and her husband emigrated to Brazil after the Civil War. This volume was compiled by Nancy Hamlin Huber on the 100th anniversary of that first voyage. Blank prelim page gone, clean copy. Scarce.

Softcover. New York, Noonday Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with minor wear to paper wrappers. Illustrations by Steig. Clean, tight copy.

Hardcover. Hartford CT, Hartford Publishing Co., 1st, 1869, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering and design, embossed rules to covers. 524 pages. Detailed records of travel between the Mississippi River and the Pacific coast on the newly completed transcontinental railroad. Includes much information on the Mormons, Salt Lake City, Indians, gold mining, etc. 12 engraved plates and one map. Bookplate on inside front cover, light fading to spine gilt. Solid, clean copy.

Hardcover. NY, Flatiron Books, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 389 pages. Traces the story of the integration of the Cleveland Indians and their quest for a World Series title through four key participants-all members of Baseball's Hall of Fame. They were Bill Veeck, the eccentric and visionary owner of the team; Larry Doby, a soft-spoken hard-hitting pioneer who shattered stereotypes that many Americans had of black ballplayers; ace pitcher Bob Feller who set the template for the athlete as businessman; and Satchel Paige, legendary pitcher from the Negro Leagues too long excluded from professional baseball because of his skin color. Clean copy.

Softcover. Allworth Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Ranging from earthworks to conceptual art, this illuminating read offers an integrated view of all the significant artistic developments of one crucial decade, the extraordinary explosion that occurred between 1965 and 1975. The author, a leading art critic, focuses a new lens on this radical movement, showing the nuances that defined Minimalism in its various phases, as characterized by the inflected object, the disintegrated object, the ironic object -then the transition from the object to architecture, space, landscape, cityscape, body, performance, and conceptual art. No other account has documented in such detail the scope and impact of this artistic revolution, which the author argues spanned all mediums and pushed every aesthetic possibility of Minimalism to an extreme.

Hardcover. UK, PS Artbooks, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages, illustrated throughout in color. Clean, tight copy. Collects February 1952 to January 1953.

Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 2. 240 pages, illustrated throughout in color. Clean, tight copy. Complete Issues #7-12. It was the tail end of the heyday - one might say Golden Age - of the horror comics, the final years of pre-code comics. OUT OF THE NIGHT brought more mature, sophisticated, high-quality creative horror to the newsstands. Featuring some of the best artwork in the genre, including Al Williamson in the early issues, OUT OF THE NIGHT was one of American Comics Group's top entries in to the world of the vampire, werewolf, ghost, undead and mysterious entities. The series lasted 17 exciting issues.

Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 3. 208 pages, illustrated throughout in color. Clean, tight copy.

Softcover. Washington, D.C., Smithsonian, 1st, November 17, 1991, Book: Very Good, Dust Jacket: None, INSCRIBED BY PHOTOGRAPHER. Softcover, 256 pages, b&w photographs. A very clean, tight copy. In interviews and photographic portraits, [the author] and [the photographer] bring together forty-nine of Mexico's most acclaimed artists in the performing, visual, and literary arts, displaying the creative energy of a nation.

Hardcover. NY, Charles Scribner's Sons, 1st US, 1900, Book: Good, Dust Jacket: None, Hardcover, 346 pages plus publisher's ads. Blue cloth with red shirt loading a musket on front board. 8 b&w plates by William Rainey (1852-1936) was a noted landscape painter and figure artist who regularly illustrated books for Henty. Hinge cracked at title page. Moderate shelf wear. No markings.

Hardcover. New York, Abbeville Press, 1st, 1985, Dust Jacket: Near Fine, 228 pages. Pink cloth covered hardcover with gray lettering on spine. Square quarto. B/W and color plates. a romantic and nostalgic look back at the fabulous nightclubs and palaces of entertainment that lined the Hollywood hills and spread across California's Southland in the heyday of the film capital, from 1915 to 1945. Clean, bright copy.

Softcover. Washington DC, Smithsonian Books, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, 512 pages plus index, b&w photographs, map end papers. Previous price sticker on back cover. Light edge wear to wrappers. Else a clean, tight copy. A unique reference for those interested in American heritage sculpture and architecture. This book was published in both paperback and clothbound editions. Photography by David Blume.

Softcover. NY, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. An entertaining collection celebrating the work of cutting-edge animation filmmakers features frame grabs, production stills, original artwork, behind-the-scenes photographs, and interviews from twenty-five years of teh Spike & Mike Festival of Animation, with works by Nick Park and Peter Lord of Aardman, John Lasseter, Craig McCracken, Mike Judge, and others.

Softcover. NY, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. An entertaining collection celebrating the work of cutting-edge animation filmmakers features frame grabs, production stills, original artwork, behind-the-scenes photographs, and interviews from twenty-five years of teh Spike & Mike Festival of Animation, with works by Nick Park and Peter Lord of Aardman, John Lasseter, Craig McCracken, Mike Judge, and others.

Softcover. Minneapolis, University Of Minnesota Press, reprint, 2021, Softcover, 329 pages. Many adoptees are required to become people that they were never meant to be. While transracial adoption tends to be considered benevolent, it often exacts a heavy emotional, cultural, and economic toll on those who directly experience it. Outsiders Within is a landmark publication that carefully explores this most intimate aspect of globalization through essays, fiction, poetry, and art. Moving beyond personal narrative, transracially adopted writers from around the world tackle difficult questions about how to survive the racist and ethnocentric worlds they inhabit, what connects the countries relinquishing their children to the countries importing them, why poor families of color have their children removed rather than supported--about who, ultimately, they are. In their inquiry, the contributors unseat conventional understandings of adoption politics, reframing the controversy as a debate that encompasses human rights, peace, and reproductive justice. Clean copy.

Hardcover. NY, Frederick A. Stokes, 1st, 1918, Book: Good, Dust Jacket: None, Hardcover, terra-cotta cloth with a color paste-down on cover, 263 pages, A collection of 35 Native American animal folklore tales. Wood-lore (or, the ways of wild things) are told in an engaging format - a wise old chief holds evening "story-time" sessions with his very curious grandson, Little Beaver. Running through the linked narrative is the little black bear Moween, of whom Little Beaver is particularly fond. Illustrated with 8 color plates, a color title page and an endpapers drawing by Paul Bransom. Light shelf wear.

Hardcover. NY, Pegasus Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Inspired by the twenty-three 'tales', Matthew Dennison takes a selection of quotations from Potter's stories and uses them to explore her multi-faceted life and character: repressed Victorian daughter; thwarted lover; artistic genius; formidable countrywoman. They chart her transformation from a young girl with a love of animals and fairy tales into a bestselling author and canny businesswoman, so deeply unusual for the Victorian era in which she grew up. Embellished with photographs of Potter's life and her own illustrations, this biography will delight anyone who has been touched by Beatrix Potter's work. Clean copy.

Hardcover. University of Washington Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 285 pages. Over the Line: The Art and Life of Jacob Lawrence includes essays by eight distinguished art historians examining the ways in which Jacob Lawrence's art speaks so powerfully to different audiences. It is the first multi-author, in-depth probe of the artist's entire career: the nature of his work, his education, the critical climate in which he worked, and his use of materials and techniques. It reproduces, in full color, more than 200 works, most of which have not been published in color, or at all, in other books on the artist.

Hardcover. Los Angeles, Getty Research Institute, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. From 1940 to 1990, Los Angeles rapidly evolved into one of the most populous and influential industrial, economic, and creative capitals in the world. During this era, the region was transformed into a laboratory for cutting-edge architecture. Overdrive: L. A. Constructs the Future, 1940 - 1990 examines these experiments and their impact on modern design, reframes the perceptions of Los Angeles's dynamic built environment, and amplifies the exploration of the city's vibrant architectural legacy. The drawings, models, and images highlighted in the Overdrive exhibition and catalogue reveal the complex and often under-appreciated facets of Los Angeles and illustrate how the metropolis became an internationally recognized destination with a unique design vocabulary, canonical landmarks, and a coveted lifestyle. Clean copy. In publisher's shrinkwrap.

Hardcover. Boston, Lothrop Publishing Company, reprint, 1896, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped in gilt and dark brown. Four b&w plates not credited. This novel set in the late nineteenth century provides heartwarming tales of faith and love. Gossip, family failures, and errors in judgment threaten the lives of Ralph Bramlett and Estelle Douglass, but hope is found in the darkest of times. No date on title page, copyright page states 1896. Part of a uniform set so assumed a reprint. Name on front fly leaf, otherwise clean.

Hardcover. NY, PictureBox, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 226 pages. Color illustrations. Overspray is the conclusive account of the rise of airbrush art, and of the equally bright and glossy Los Angeles culture alongside which it came to prominence in the 1970s. Inspired by surf graphics, psychadelia and the slick shine of Hollywood, a generation of young artists began to make every lip and palm tree glisten, and every record cover shine. Fueled by a combination of intense demand, sleepless nights and brutal competition, the four men at the center of L.A.'s airbrush art market--Charles E. White III, Peter Palombi, Dave Willardson and Peter Lloyd-embarked on careers encompassing work for Playboy, Levi's, the Rolling Stones, Rod Stewart and major studio films including American Graffiti and Tron. Together, their work came to define the look of illustrative graphics for a generation of viewers. This book tells the story of these four artists for the first time through hundreds of images of the artists' best and best-known work, unseen production roughs, documentary photographs and other ephemera. Viewed now, their surreal, funny and utterly slick imagery seems all the more fantastic-combining technical precision with wild flights of imagination that bring to mind the work of some of today's top artists, from Takashi Murakami to Matthew Barney. Essay by Mike Salisbury, acclaimed designer of everything from Disney logos to Jurassic Park ad campaigns to Sassy magazine.

Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 275 pages, color illustrations throughout. In publisher's shrinkwrap. Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work--captured here in its various stages through drawings, architectural plans, and photographs--is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul."

Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 275 pages, color illustrations throughout. In publisher's shrinkwrap. Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work--captured here in its various stages through drawings, architectural plans, and photographs--is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul."

Paperback. New York, Welcome Books, 1st, 2008, Book: Very Good, Dust Jacket: None, 287 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. Holographic photograph on front cover. In 1984, photographer Peter Feldstein set out to photograph every single resident of his town, Oxford, Iowa (pop. 676). He converted an abandoned storefront on Main Street into a makeshift studio and posted fliers inviting people to stop by. At first they trickled in slowly, but in the end, nearly all of Oxford stood before Feldstein's lens. Twenty years later, Feldstein decided to do it again. Only this time he invited writer Stephen G. Bloom to join him, and together they went in search of the same Oxford residents Feldstein had originally shot two decades earlier. Some had moved. Most had stayed. Others had passed away. All were marked by the passage of time.

Hardcover. NY, Books of Wonder / HarperCollins Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 64 pages illustrated in color. Thirty favorite artists and writers celebrate one hundred years of Oz. Contributors include: Peter Glassman; Maurice Sendak; Janell Cannon; Tomie dePaola; Jerry Pinkney; Paul O. Zelinsky; Uri Shulevitz; Trina Schart Hyman; William Joyce; Richard Egielski; Diane Goode; Robin McKinley; Leo and Diane Dillon; Madeleine L'Engle; Mark Teague; Jules Feiffer; Ann M. Martin; Kinuko Y. Craft; Kay Chorao; Michael Foreman; Mark Beuhner; Natalie Babbitt; Peter Sis; Bruce Degen; Chris Van Allsburg; Michael Hague; Troy Howell; Richard Jesse Watson; Lloyd Alexander; Eric Carle. Clean copy.

Cambridge, MA, Harvard University Press,, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 402 pages. "Miss Lang focuses on the content of Pa Chin novels and short stories, which vividly describe the life of Chinese youth. She also pays great attention to the western, particularly Russian and French, influences on his political philosophy."

Hardcover. NY, Curt Valentin, 1st, 1948, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 150 pages, 67 illustrations (frontispiece in color). A greatly expanded version of the catalogue published the previous year for the exhibition of Picasso's lithographs from 1945-1947.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. This catalogue raisonne of Picasso's lithographic work contains 855 pieces with entries for every printed sheet as an individual work, including test and state printings, and unpublished sheets. Scholarly essays from various contributors. Light fraying to bottom spine cover.

Hardcover. New York, Oxford University Press, 1st, 1999, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 242 pages. B&w and color prints. Lavishly illustrated catalog presenting a fascinating cultural history of an idyllic vision of California that still figures prominently in the American imagination. Red cloth, gilt lettering to spine. Pictorial dust jacket. Copy in mint condition, looks brand new.

Hardcover. US, Getty Publications, 1st, 2011, Book: Very Good, Dust Jacket: None, 352 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Like new in publisher's shrink-wrap. Documents the burgeoning Southern Californian post-war art scene, with several essays following a more or less chronological order, and hundreds of illustrations of artworks, but also of art people (a wonderful 1963 photograph of Marcel Duchamp playing chess with a naked Eve Babitz in front of a replica of his Large Glass in Pasadena, photographs of artists working in their studios, etc). Some names are well known, others less so, but it is the versatility, the creativity and, above all, the richness and depth of this LA art scene that strike the reader-viewer through these richly illustrated pages. The birth of a genuine pop art in California (thanks to some of the most gifted artdealers in the US), of conceptual art, the creation of a new way of making sculpture, all those aspects are tackled in an informative and erudite (sometimes too erudite, though...)text that makes this book a more than valuable addition to the literature on post-war American art.

Hardcover. Ottawa CAN, Dovehouse Editions, reprint, 1996, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt lettering on spine and decoration to front cover. 379 pages. Originally written in 1645 by the author who was also known as Lord Herbert of Chirbury. Herbert's major work is the De veritate, prout distinguitur a revelatione, a verisimili, a possibili, et a falso](On Truth, as It Is Distinguished from Revelation, the Probable, the Possible, and the False). He published it on the advice of Grotius. In the De veritate Herbert produced the first purely metaphysical treatise, written by an Englishman. Herbert's real claim to fame is as the father of English Deism. The common notions of religion are the famous five articles, which became the charter of the English deists. Name, light pencil notations to front endpaper and about a dozen pages.

Hardcover. NY, Thomas Y Crowell, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 193 pages including index, illustrated with 34 reproductions, some in color. George Caleb Bingham (1811-1879) who painted his world as it really was, everyday people in their everyday lives. His family was one of the early pioneer settlers, moving to the frontier in 1819. George began is art career painting tavern signs, later graduating to portraits, views of everyday life and "river paintings". He also was a Missouri politician, holding several important offices. Clean copy.

Hardcover. Baltimore Museum of Art/Pennsylvania State University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 297 pages. 119 color illustrations and 10 b&w. With an essay by Thomas Primeau. Catalogue entries by Deborah Carton, Susan Dackerman, Richard S. Field, Katherine Crawford Luber, Elizabeth Mansfield, Walter S. Melion, Thomas Primeau and Robert Wheaton. An old master print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of old master prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning. Clean, bright copy. NOTE: Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. London, Seeley, Service & Co. Limited, Reprint, 1960, Book: Very Good, Dust Jacket: None, 250 pages. Hardcover. B/w illustrations throughout. Tope edge dyed. Original bookstore's price stamp on front flyleaf. Green cloth cover boards, gilt title on spine. Pages unmarked. Spine straight. "The handling of pigments in oil, tempera, watercolor & in mural painting, the preparation of grounds & canvas, & the prevention of discoloration, together with the theories of light & color applied to the making of pictures, all described in a practical & non-technical manner."

Hardcover. NY, Metropolitan Museum of Art , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Painters of Reality, titled after an exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. It builds on the work of the art historian Roberto Longhi. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the North Italian predecessors whose influence is apparent either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism": the important schools of paintings that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century.Among the 136 paintings and drawings, many never before seen outside of Italy, are influential drawings by Leonardo and major paintings by Caravaggio. Other acknowledged masters in the history of European art are represented, including Lorenzo Lotto, Giovanni Girolamo Savoldo, Giovanni Battista Moroni, and Giacomo Ceruti. Works also appear from significant but less widely known artists such as Sofonisba, Anguissola, Vincenzo Campi, Moretto da Brescia, and Fra' Galgario.

Hardcover. New York, Watson-Guptill, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages, 188 b&w illustrations, 83 plates in full color. Tan cloth with red titles, slight stain to front cover. Pictorial yellow dust jacket. Light wear to edges, minor sunning to back cover, else a very ice, tight, clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, In Painting as an Art, which began as the 1984 Andrew Mellon Lectures at the National Gallery of Art in Washington, D.C., philosopher Richard Wollheim transcended the boundaries and habits of both philosophy and art history to produce a large, encompassing vision of viewing art. Wollheim had three great passions--philosophy, psychology, art--and his work attempted to unify them into a theory of the experience of art. He believed that unlocking the meaning of a painting involved retrieving, almost reenacting, the creative activity that produced it.In order to fully appreciate a work of art, Wollheim argued, critics must bring to the understanding of a work of art a much richer conception of human psychology than they have in the past: "Many [critics] . . . make do with a psychology that, if they tried to live their lives by it, would leave them at the end of an ordinary day without lovers, friends, or any insight into how this came about." Many reviewers have remarked on the insightfulness of the book's final chapter, in which Wollheim contended that certain paintings by Titian, Bellini, de Kooning, and others represent the painters' attempts to project fantasies about the human body onto the canvas. Light fading to dj spine. Name on front fly leaf, otherwise clean.

Hardcover. NY, Knopf, 1st, 2009, Hardcover, 384 pages. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns.

Softcover. Durham NC, Duke University Press, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 410 pages, b&w, color illustrations. INSCRIBED BY AUTHOR on the half-title page. Painting Culture tells the complex story of how, over the past three decades, the acrylic "dot" paintings of central Australia were transformed into objects of international high art, eagerly sought by upscale galleries and collectors. Since the early 1970s, Fred R. Myers has studied--often as a participant-observer--the Pintupi, one of several Aboriginal groups who paint the famous acrylic works. Describing their paintings and the complicated cultural issues they raise, Myers looks at how the paintings represent Aboriginal people and their culture and how their heritage is translated into exchangeable values. He tracks the way these paintings become high art as they move outward from indigenous communities through and among other social institutions--the world of dealers, museums, and critics.

Hardcover. Shambhala, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 174 pages, color plates. Little known during his lifetime, the Japanese biologist and artist Iwasaki Tsuneo (1917-2002) created a strikingly original and exquisitely intricate body of modern Buddhist artwork. His paintings depict themes ranging from classical Buddhist iconography to majestic views of our universe as revealed by science--all created with the use of painstakingly rendered miniature calligraphies of the Heart Sutra, one of the most important scriptures of Mahayana Buddhism. In this groundbreaking book, Paula Arai presents over fifty of Iwasaki's paintings, elucidating their Buddhist contexts and meanings as well as their intimate connections to Iwasaki's life as a war survivor, teacher, scientist, and devout Buddhist practitioner. Having been posthumously recognized by His Holiness the Dalai Lama, Iwasaki's paintings are sure to be regarded as an innovative and heartfelt contribution to the artistic legacy of twentieth-century Buddhism.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 480 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. 378 color and 10 black & white illustrations. Tight copy. While European art forms were widely disseminated, copied, and adapted throughout Latin America, colonial painting is not a derivative extension of Europe. The ongoing debate over what to call it-mestizo, hybrid, creole, indo-hispanic, tequitqui-testifies to a fundamental yet unresolved question of identity. Comparing and contrasting the Viceroyalties of New Spain, with its center in modern-day Mexico, and Peru, the authors explore the very different ways the two regions responded to the influence of the Europeans and their art. A wide range of art and artists are considered, some for the first time.

Hardcover. New York, Clarkson N. Potter, Inc., 1st American Edition, 1991, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover. Color and b/w illustrations throughout. Binding tight, spine straight. Decorated cover boards, red quarter cloth, white title on spine. Pages and edges clean and unmarked. In beautiful condition. Combines practical advice and fascinating narrative to teach the aspiring artist how to paint the nude.

Softcover. London, Quartet Encounters, 1st, 1991, Book: Very Good, Dust Jacket: None, 163 pages. Softcover. A very clean, unmarked copy with only minor edgewear.

Softcover. New York, American Art Association, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover. 150 pages. Reprint of 1926 auction catalog. Orange wrappers with black titles, perfect binding, profusely illustrated with b&w plates, foreword by Dana H. Carroll. Slight rubbing to covers; a very clean, tight copy.

Hardcover. Paris, Braun & Cie, 1st, 1946, Book: Very Good, Dust Jacket: None, Non-paginated. Introduction by Jaime Sabartes. 24 full color plates. Clean, tight copy.

Hardcover. Middletown, CT, Wesleyan University Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. b&w illustrations throughout. Brings together for the first time all of Stock's extant papers-his will, one lengthy letter to his brother, various newspaper notices concerning him, and his remarkable journal written sometime after 1846. In addition, it includes reproductions of all known surviving Stock paintings. Green cloth, gilt lettering to spine. yellow pictorial dust jacket, minor wear to spine. Like new. A very nice, clean and tight copy.

Softcover. NY, Harry N Abrams, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover163 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, with small crease to front cover. Clean, tight copy.

Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, 64 color and 17 b&w illustrations. Clean, tight copy in a bright, unclipped dust jacket.

Hardcover. London, Jupiter Books, First Edition, 1978, Book: Very Good, Dust Jacket: Good, 31 pages text followed by 130 plates. Hardcover. Blue cloth boards with gilt titles to spine. Frontis photograph of the artist, L. S. Lowry, Stockport, Winter 1962. Full page, full color & bw plates throughout. Dust jacket with wear & toning to edges. Clean, unmarked copy.

Hardcover. NY, Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. Vivid, passionate, primitive - 113 paintings by the poet Stan Rice. Here, his canvases explore the terrain of his poetry, as he captures the familiar and the mythical, the magical and the everyday. Here are legendary beasts, card players; images inspired by Greek myths, Bible stories, nursery rhymes. Some pay homage to objects - others to living things. They belong to no contemporary school. They are at once childlike, ironic, and darkly humorous - paintings that attest to the original vision of a talented poet and painter.