Softcover. New York , St. Martin's Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover. A collection of color and b&w cartoons by Wilson. SIGNED BY THE ARTIST.

Softcover. New York, St. Martins, 1st, 1982, Book: Very Good, Dust Jacket: None, 127 pages. Softcover with light edge wear to paper wrappers. Black and white line cartoons throughout by author. Clean, tight copy.

Softcover. New York, Stewart Tabori & Chang, 1st, 1982 , Book: Very Good, Dust Jacket: None, Softcover, 144 pages. A history of the classic VW ad campaign that began in 1959. Profusely illustratedClean copy.

Hardcover. Philadelphia, University of Pennsylvania, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 177 pages of text followed by black & white examples of the illustration work of Isaac Cruikshank. Dust jacket worn with small tears along edges. Clean, tight copy.

Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.

Softcover. Hamilton NJ, Grounds for Sculpture, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 24 pages, illustrated in color. Essay by Karen Wilkin. Clean copy.

Hardcover. Tucson, University of Arozona, 1st, 1974, Book: Near Fine, Dust Jacket: Very Good, 221 pages illustrated throughout in color and b&w. Limited edition, 1/2500 copies. Green cloth with dark green title to spine. White pictorial dust jacket with minor wear to edges, else like new. 4 color, 147 bw plates. Catalogue at rear lists 184 works. Foreword by John I.H. Baur. Introduction by Martin H. Bush. Main essay by Sheldon Reich, with notes. Includes reproductions of many etchings. A terrific copy of this uncommon title.

Hardcover. New York, Harry N. Abrams, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 181 pages, 171 illustrations, 50 plates in color. The definitive monograph on Bishop. Like new in a bright, crisp dust jacket in a mylar protector.

Hardcover. New York, Funk & Wagnalls, 1st, 1967, Book: Very Good, Dust Jacket: None, Non-Paginated. Hardcover. Full color illustrations by Arnold Roth. Small areas of soiling on front cover. Clean, unmarked pages.

Hardcover. London, Faber and Faber, Reprint, 1967, Book: Very Good, Dust Jacket: None, Hardcover. Orange cloth covers with gilt titles to spine. 93 pages of text followed by 613 monochrome plates, non-paginated. Frontis illustration, Tabriz, Tilework in the Courtyard of the So-called Blue Mosque, A. D. 1465, in full page, full color. Toning to edges. Clean, unmarked. A nice copy.

Softcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, ISoftcover, graphic novel llustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.

Softcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, graphic novel Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. NY, Alfred A. Knopf, 1st thus, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An evocative portrait of a great and storied city, an elegy for a bygone civilization, and a meditation on the "complicated intimacies" (Pamuk's phrase) of life itself. "Spins a masterful tale, moving from his fractured extended family, all living in a communal apartment building, out into the city and encompassing the entire Ottoman Empire. Pamuk sees the slow collapse of the once powerful empire hanging like a pall over the city and its citizens. Central to many Istanbul residents' character is the concept of huzun ('melancholy'). Istanbul's huzun, Pamuk writes, 'is a way of looking at life that is ultimately as life-affirming as it is negating'. A powerful, disturbing literary journey through the soul of a great city, told by one of its great writers". This is the Deluxe Edition with 439 photos and illustrations. Bright, clean copy.

Hardcover. np, privately printed, 1st, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt title and illustration, 127 pages. Issued as a Christmas keepsake for the artist's friends, a gathering of b&w cartoons selected by Ding from over 16,000 done in his career. No date but he was in his middle eighties when it was published, so 1960-61 most likely. Clean, bright copy with gift greeting from him and his wife Penny tipped onto the front fly leaf. No dust jacket issued.

Hardcover. NY, Harcourt Brace, 1st, 1945, Book: Very Good, Dust Jacket: Good, Hardcover, wartime cartoon book showing the life of the enlistee (as a dog). One of the early Freeman efforts. Dust jacket edge worn, soiled, price-clipped.

Hardcover. Seattle, Fantagraphics, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages, b&w art by Tardi. His classic graphic novel about war in the trenches of WW1. Illustrated boards, no dust jacket issued.

Hardcover. NY, Holt, Rinehart & Winston, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. B&w drawings by Tony Chen. Describes the characteristics and habits of birds found in the city, country, and zoo, and at the beach. Clean copy.

Softcover. Kansas City, Hallmark, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, spiral bound, a week-by-week calendar with each spread illustrated with a two-color cartoon by the Berenstains. Art reprinted from 16 years of their cartoon series which ran in McCalls Magazine. Light wear, clean.

Hardcover. Philadelphia/NY, David McKay Company, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 127 pages, illustrated with O. Sogow's great cartoons. In an edgeworn dust jacket that's price-clipped. A book full of ridiculous laws and accompanying comic-style illustrations. It's illegal in New York to shoot at rabbits from the rear end of a moving 3rd Ave streetcar. In Baltimore it's illegal to sell a parrot, or even to give one away. Clean copy.

Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 133 pages illustrated in color. This lavishly illustrated volume offers a unique survey of Italian commercial graphic design during a period of both creative artistic vitality and extreme political turmoil. The first English-language book to showcase the bold typography and streamlined imagery of modern Italian design motifs on commercial products of the day, this fascinating and important resource for designers, history buffs, and collectors includes a discussion of the Futurist influence on the Italian Art Deco style and the success of such individualized expression despite a ruthless Fascist regime. Clean copy.

Hardcover. NY, Gourmet , 1st, 1958, Hardcover, cream colored buckram with Italian crest to front and spine; gilt title to spine. 593 pages with b&w photographs and illustrations by the author. SIGNED BY CHAMBERLAIN on the front fly leaf. Recipes translated from the Italian and adapted by Narcissa Chamberlain. Samuel V. Chamberlain (1895-1975) was an author, illustrator, photographer and artist who occasionally wrote under the pseudonym Phineas Beck. His works include books on historical architecture, interiors, fashion illustration, and cookbooks. White cloth covers soiled, Interior clean.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn dust jacket. 322 pages. 100 B&W and color plates and 56 B&W illustrations. Pictorial dust jacket with edgewear. Light brown cloth. Auction stamp on front pastedown. Otherwise, a clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Italy, Charta/Fondazione Pitti Immagine Discovery, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 396 pages illustrated in color. Italian Eyes presents the most important fashion magazines in the world and the advertising campaigns photographed for Italian and international designers--a sort of visual atlas of Italian evolution of fashion photography. Various chapters unfold with images accompanied by texts analyzing fashion photography according to different themes: portrait, narration, the fashion photo set, the evolution of masculine and feminine images, and others. Clean, very good.

Hardcover. New York, Museum of Modern Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, illustrated throughout in color. Spotless and tight copy. 128 Italian film posters that are a rich array of both Italian films and the international cinema. Includes text and notes on each poster. Arranged by genre from the 30's to the late 50's.

Hardcover. London, Phaidon, 1st, 1963, Book: Good, Dust Jacket: Fair, Part III of Pope-Hennessy's Introduction to Italian Sculpture. 3 Volumes - Plate Volume - non-paginated. Illustrated with black & white plates. Bump at top of spine. Dust jacket age darkened, wear along edges. Clean, tight copy. Text Volume - 126 pages. Black & white illustrations. Bottom right corner bumped. Dust jacket age darkened, wear along edges. Clean, tight copy. Catalogue Volume - 183 pages. Dust jacket age darkened, wear along edges. Clean, tight copy.

Hardcover. NY, Oxford University Press, 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth stamped in gilt, 243 pages. Twenty-five b&w plates illustrating landscape designs. Clean, bright copy.

Hardcover. London, Phaidon Press, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, 222 pages of text, 1478 b&w plates, 39 index pages. Two volume set, textured cloth covers, clean dustjackets, set shows little wear. Cardboard slipcase with paper chipping to edges.

Hardcover. Philadelphia, Philadelphia Museum Of Art, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout with 112 color plates and 55 b&w reproductions. Light shelf-wear to dust jacket. Clean, tight copy. A catalogue to accompany an exhibition at the Philadelphia Museum of Art. A beautiful publication examining Italian Maiolica. An essential reference work for historians, collectors, and anyone with an interest in ceramics.

Hardcover. New York, Abbeville Press, inc, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 308 pages. color illustrations throughout. This VERY LARGE volume gives insight into the world of a realist, who's paintings have fascinated, and often shocked the public for more than fifty years. Red cloth, gilt lettering to spine. Near fine copy, small tear to dust jacket otherwise as good as new. The first book devoted to the life and work of American painter Ivan Albright. Foreword by Jean Dubuffet. 173 plates, 83 of which are in color.

Softcover. Reunion des Musees Nationaux, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. FRENCH TEXT. Illustrated in b&w, some color. Clean, bright copy.

Hardcover. NY, Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover. Beautiful copy of this detailed study of the American illustrator. Color, black & white plates. 206 pages. In a bight, unclipped dust jacket.

Hardcover. Secaucus NJ, Poplar Books, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, blue cloth covers in a bright dust jacket. Thick, heavy book, 527 pages, 1580 illustrations including 60 in color, bibliography, concordances, index and list of owners. This book contains complete title-catalog of all paintings and the most comprehensive catalog of the watercolors ever published including over 1500 items in public and private collections. Catalog Raisonne. NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. One of the most prolific and successful artists of the Golden Age of American Illustration, J. C. Leyendecker captivated audiences throughout the first half of the 20th century. Leyendecker is best known for his creation of the archetype of the fashionable American male with his advertisements for Arrow Collar. These images sold to an eager public the idea of a glamorous lifestyle, the bedrock upon which modern advertising was built. He also was the creator instantly recognizable icons, such as the New Year's baby and Santa Claus, that are to this day an integral part of the lexicon of Americana and was commissioned to paint more Saturday Evening Post covers than any other artist. Leyendecker lived for most of his adult life with Charles Beach, the Arrow Collar Man, on whom the stylish men in his artwork were modeled. The first book about the artist in more than 30 years, J. C. Leyendecker features his masterworks, rare paintings, studies, and other artwork, including the 322 covers he did for the Post. With a revealing text that delves into both his artistic evolution and personal life, J. C. Leyendecker restores this iconic image maker's rightful position in the pantheon of great American artists.

Hardcover. NY, Macmillan, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Soil to inside edge of rear cover. Illustrated in bright primary colors by Barton. Dust jacket has a 1 1/2 inch closed tear, otherwise very good.

Hardcover. US, IDW Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover issued w/o a dust jacket. Jack Cole's often overlooked horror work finally gets the hardcover treatment. The stories hit many of the usual horror themes, and a few unique ones, with many based in the crime genre. Cole brings his own outlook to the idiom; casually violent and gruesome, with kinetic artwork and splash panels/pages that will knock your socks off.Offered chronologically, the earlier stories outshine most of the later ones. The best ones are "borrowed" from a couple of "Weird Tales" authors- "Custodian of the Dead" (Henry Kuttner's "Graveyard Rats") and "The Corpse That Wouldn't Die" (Clark Ashton Smith's "The Return of the Sorcerer"). Cole's own stories are pretty original, compared to the mostly ho-hum output of contemporaries like Stan Lee's ATLAS line, and he doesn't try to imitate the EC horror comics like 99% of the rest of the field did. Some of the stories are ludicrous and will make you roll your eyes ("Goddess of Murder" especially), but it's refreshing to see a different take on the comic book horror story.

Hardcover. NY, Ten Speed Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, no dust jacket issued, 201 pages. This sweeping, full-color comic book biography tells the complete life story of Jack Kirby, co-creator of some of the most enduring superheroes and villains of the twentieth century for Marvel Comics, DC Comics, and more. Critically acclaimed graphic novelist Tom Scioli breathes visual life into Kirby's life story--from his days growing up in New York during the Great Depression and discovering a love for science fiction and cartoons to his time on the frontlines in the European theatre of World War II where he experienced the type of action and adventure he'd later imbue his comic pages with, and on to his world-changing collaborations at Marvel with Stan Lee, where the pair redefined comics as a part of pop culture.

Softcover. Dublin, Ireland, Irish Museum of Modern Art, 1st, 2008, Book: Very Good, Dust Jacket: None, 436 pages. Softcover. Very clean, unmarked copy still in shrink wrap. Includes 405 illustrations with 384 in color. A collection of works by Jack Pierson.

Softcover. Dublin, Ireland, Irish Museum of Modern Art, 1st, 2008, Book: Very Good, Dust Jacket: None, 436 pages. Softcover. Very clean, unmarked copy still in shrink wrap. Includes 405 illustrations with 384 in color. A collection of works by Jack Pierson.

Hardcover. Zurich, Edition Stemmle, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, illustrated throughout in color. Light shelf-wear to dust jacket, else a clean, tight copy. Photographs, drawings, sculpture and installations by Jack Pierson. Essays by Yilmaz Dziewior, Gerard A. Goodrow and Peter Weiermair. Includes a chronology with exhibitions and publications.

Softcover. NY, Museum of Modern Art, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 336 pages. 425 illustrations, 227 in color and 198 in duotone. Catalog of art exhibition put on by MOMA and the Tate Gallery. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, George Braziller, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, yellow cloth covers with Pollock's signature stamped in black. 125 pages in color and b&w. About 20 pages of text by noted poet and playwright O'Hara, followed by over 80 reproductions, 16 in color. Clean copy.

Hardcover. NY, McGraw-Hill, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a price-clipped dust jacket with light wear, 293 pages, b&w illustrations. Nowhere is the complex and destructive painter Jackson Pollock (1912-1956) revealed with more compassion and insight than in this exemplary biography. Friedman, a friend of Pollock's and active in the art world, shows him to be a brilliant man tormented by his relationship to his family; an artist who worked hard through years of poverty to achieve his controversial painting technique; the first American painter to gain an international reputation for himself and for what has been variously called Action Painting or Abstract Expressionism; and a man who struggled with alcohol and the tension between gentleness and violence. Light tape repair to dust jacket on reverse. Otherwise clean.

Hardcover. NY, McGraw-Hill , 1st, 1972, Book: Very Good, Hardcover, 293 pages, b&w photographs. Edge wear, small tears to dust jacket. Dark blue top edge decorative stain w/ light spots, else a very clean, tight copy. Nowhere is the complex and destructive painter Jackson Pollock (1912-1956) revealed with more compassion and insight than in this exemplary biography. Friedman, a friend of Pollock's and active in the art world, shows him to be a brilliant man tormented by his relationship to his family; an artist who worked hard through years of poverty to achieve his controversial painting technique; the first American painter to gain an international reputation for himself and for what has been variously called Action Painting or Abstract Expressionism; and a man who struggled with alcohol and the tension between gentleness and violence.Newly illustrated with seminal Pollock paintings, this book takes the reader inside the art world of New York during the '40s and '50s, when Action Painting first emerged. Friedman reveals what it meant to Pollock to experience the invasion of his studio and of the very act of painting by the external pressures of shows, reviews, films, dealers, critics, hostile publicity; and how, despite it all, Pollock created many of the most graceful and powerful paintings ever made in America.

Softcover. New York, Museum of Modern Art, 1st, 1998, Book: Very Good, Dust Jacket: None, 336 pages. Soft cover. French flaps. Color and b/w illustrations throughout. Published to accompany exhibition at The Museum of Modern Art, New York. Only slightly yellowed edges due to age. In good shape, clean inside. From front French flap: ",,,includes over 200 color reproductions of paintings, drawings, and prints, including life-sized details and foldouts of major paintings. An illustrated chronology tells the story of the artist's life."

Softcover. New York, Abbeville, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w and color illustrations. Illustrated end papers. A very clean, tight copy.

Hardcover. Bussels, Renaissance du Livre, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 398 pages, illustrated in color and b&w. French language.DOMESTIC SHIPPING ONLY.

Softcover. Seattle WA, Seattle Art Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 235 pages, b&w and color illustrations. Red end papers. Marking on copyright page. Light edge wear to wrappers. Very light foxing to top edge. Else a clean, tight copy.

Hardcover. NY, Knopf, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Black & white illustrations by Norman Eyolfson. The trouble starts when Jacob Two-Two's father brings home a little green lizard from abroad. Unfortunately, the little lizard grows into a huge dinosaur, as fat as an elephant, as tall as a giraffe, and with a huge appetite. When Dippy is threatened, he and Jacob take to the road.

Hardcover. London, Cambridge University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages. Jacobitism, or support for the exiled Stuarts after the revolution of 1688, has become a topic of great interest in recent years. Historians have debated its influence on Parliamentary politics, but none has yet attempted to explore its broader implications in English society. This study offers a wide-ranging analysis of every aspect of Jacobite activity, from pamphlets and newspapers to songs, cartoons, riots, seditious words, clubs, and armed insurrection. Previous owner's inscription on first page, light marginal notes to about 20 pages. In a bright dust jacket.