Hardcover. NY, Henry Holt, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, In ancient China a jealous artist plots to eliminate the favorite architect of the emperor. Once again Demi captivatingly presents a Chinese folktale with just enough text to tell the story and keep the interest of her young readers. Rendered in vibrant reds and pale blues and yellows, her illustrations feature finely detailed buildings and costumes, all the while retaining a fresh, clean look.Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 336 pages. An exploration of the ways in which some of the most influential artists of the 19th and 20th centuries used photography in their painting and sculpture. Paintings, sculpture and photographs by such artists as Bonnard, Degas, Gauguin, Moreau, Munch, Picasso and Rosso are discussed and reproduced. Illustrated in color and B/W, index. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. How does the artist's self-conception change in old age? How does old age affect artistic practice? In this intriguing study, art historian Philip Sohm considers some of the greatest artists of Renaissance and Baroque Italy and their experiences of aging. Sohm investigates how art critics, collectors, biographers, and fellow artists dealt with old painters, what mental landscapes preconditioned responses to art by the elderly, and how biology and psychology were co-opted to explain the imprint that artists left on their art. He also looks carefully at the impact of prejudices, stereotypes, and other imaginary truths about old age. For some artists, the problems of old age were related to physical decline-Poussin's hands became shaky, Titian's eyesight dimmed. For others, psychological symptoms emerged. The book's cast of characters includes Michelangelo, the hypochondriac young fogy; Titian, the shrewd marketer of old age; the multiphobic Pontormo; and others. With sensitivity and insight, Sohm uncovers what it meant to be an old artist and how successive generations have looked at the art of an old master.

Hardcover. Princeton University Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages. Crow re-evaluates Conner and other key figures-from Catholic activist Corita Kent to Black Panther Emory Douglas to ecological witness Bonnie Ora Sherk-as part of a generational cohort galvanized by resistance to war, racial oppression, and environmental degradation. Younger practitioners of performance and installation carried the mindset of rebellion into the 1970s and 1980s, as previously excluded artists of color moved to the forefront in Los Angeles. Mike Kelley, their contemporary, remained unwaveringly true to the late countercultural flowering he had witnessed at the dawn of his career. The result is a major new account of the counterculture's enduring influence on modern art. Clean copy. Still in publisher's shrinkwrap.

Hardcover. Dark Horse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. For 15 years Preston has been photographing cartoonists in their natural habitats, the studios in which they work. Revealing the faces behind the familiar drawings, Preston aims his lenses at artists engaged in virtually every realm of cartooning, including superhero comics (Alex Ross, Todd McFarlane); newspaper strips (Cathy Guisewite, Berke Breathed); alternative and underground comics (R. Crumb, the Hernandez brothers); and animation (Chuck Jones, Joseph Barbera). The best portraits capture the spirit of the subjects' work. Mad mainstay Sergio Aragones is surrounded by toy figurines. Loopy caricaturist Arnold Roth's mug sports a wacky grin. Art Spiegelman, known for his formal mastery of the comics medium, looks dead serious. The studio of gritty urban realist Frank Miller looks out on a brick wall. Most welcome are valedictory portraits of titans in the comics field who have passed on since Preston photographed them, including Will Eisner, Jack Kirby, and Carl Barks. Fans of cartooning and of photographic portraiture should enjoy Preston's evocative images of these often-reclusive figures in their working sanctums.

Hardcover. NY, Charles Scribner's Sons, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The teenage character of this story is taken to Japan after his father gets a job. Getting used to his new life in Japan is hard for him due to the fact that he had to leave his team behind and after the death of his mother. The move to Japan was supposed to be a fresh start for this whole family yet, he doesn't truly find happiness there until the discover of the baseball team at the high school. Clean copy.

Hardcover. Westport CT, Greenwood Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 177 pages. Postma draws on primary sources and current historical scholarship to offer secondary readers and researchers a comprehensive and well-written history. He covers the entire Atlantic slave trade era, from the 1400s to the final abolition of chattel slavery in the New World in 1888. The focus is on Africa and the entire New World. While he describes the many horrors of the Middle Passage, he also examines how the slave trade contributed to the development of the modern international economy. The last chapters discuss the efforts to abolish the slave trade and its legacy. Throughout, Postma documents the sources that support his discussion and conclusions. Chapter notes are supplemented by an extensive annotated bibliography that includes books, articles, films, and electronic resources. The volume concludes with biographical sketches of important people and excerpts from primary documents written by enslaved Africans and white officials. The black-and-white reproductions of period illustrations add little to the text. Clean copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 424 pages, color throughout. After becoming a professional comics artist in 1948 at the age of 17, by 21 Al Williamson was well-regarded enough as a Western and science-fiction illustrator to be recruited for the EC Comics staff roster - the absolute peak of the field in the 1950s, and a team rarely challenged since. After the Comics Code forced EC to reduce their business, Williamson found himself at the door of Atlas Comics, the largest employer of freelancers in the field.From 1955-60, Williamson would draw 99 stories for Atlas (both solo and with help by "Fleagle Gang" studio cohorts Angelo Torres and Roy Krenkel, plus Gray Morrow and Ralph Mayo) in mostly western and fantasy genres, with a smattering of war, romance and "jungle girl adventure". He flourished on Westerns, freely and loosely rendered four-page morality plays, many scripted economically by Stan Lee. With his extensive oeuvre subsequently based mostly in newspaper strips (including Flash Gordon, Secret Agent Corrigan, and the syndicated Star Wars, at George Lucas' own request), or working largely as an inker, his Atlas stories collectively are the largest single body of work Williamson would ever do as a primary creator for one company. Fantagraphics is proud to present this Al Williamson Artist Edition to finally showcase this distinct period of his remarkable career. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Seattle, Fantagraphics Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardccover, pictorial boards, 290 pages in color. In the late 1940s, the first half of the Venus series from Marvel Comics predecessors Timely and Atlas Comics was published as a lighthearted romance comic about the goddess Venus taking a job on Earth at a beauty magazine. Never a company to miss a trend, Atlas began introducing more science fiction elements in the 1950s, and eventually turned Venus' dating adventures into a straight-out horror anthology. Collected here, 70 years later and for the first time ever, is that swift-changing second half of the 19-issue run. Future Marvel stars Bill Everett (seven issues) and Werner Roth (three issues) take Venus to heights of four-color weirdness and pre-Code horror ghastliness. Everett in particular is given free rein and seizes the opportunity: writing, drawing, and lettering twenty ghoulish and goofy masterpieces, including classics like "Hangman's House," "The Day Venus Vanished," "The House of Terror," "The Sealed Spectors," Tidal Wave of Terror," and the phantasmagorical "Cartoonist's Calamity!" These stories showcase the brilliant draftsmanship and storytelling of Everett, one of the giants of the 1940s and '50's comic book industry. His slick, fluid line rendered at Timely/Atlas, from his seminal god-child Prince Namor, the Sub-Mariner, to the atomic age Marvel Boy, is some of the finest pre-Code horror this side of E.C.'s Graham Ingels. Clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, Forged in the crucible of the Korean War, and produced by veterans of the Second World War, this volume's eight issues present the brutality and grimness of armed combat by some of Atlas' most notable war artists and future comics stars including Gene Colan, Russ Heath, Joe Maneely, Dave Berg, Jay Scott Pike, Mike Sekowsky, Vern Henkel, Allen Bellman, Pete Morisi and Norman Steinberg.Propaganda abounds from the very first story, published in War Comics #1 in September 1950: "Peril in Korea," a primer explaining why the USA joined the conflict. Other highlights include Colan's "The Chips are Down" and "Victory," Heath's "Alone" and "No Survivors," Maneely's "Stormy Weather," Henkel's "Total Destruction," and Berg's "The Infantry's War."Originally a trial spun off from the publisher's "Men's Adventure" publications, in the nine years to follow, Atlas went on to produce 533 comic book issues with war content, across 34 different titles. War Comics is where it all began - unseen in decades, scanned from the original books, restored and packaged as one large, beautiful hardcover volume. Clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 231 pages in color. Before focusing on tales of justice via superheroes under the Marvel banner, the publisher covered ground-level crime across a range of comics titles and true-crime magazines. Under the Timely imprint from 1947, and Atlas from 1951, up to eleven graphic series including Justice Comics, Official True Crime Cases, All-True Crime, Crime Cases, Crime Can't Win, Crime Must Lose, and Crime Exposed all muscled each other and competitors for space on the newsstands. For the first crime-themed volume in Fantagraphics' ongoing project to restore and resurrect pre-Marvel pulp classics, the Atlas Library has selected a book that debuted as the genre peaked, just before a Senate hearing and the institution of the Comics Code banned the use of the word "Crime" from even appearing in a comic's title. Escaping that fate, Police Action had a seven-issue run of violent and noir-ish morality plays, pitting the officers of the law against the forces of urban malevolence, and was produced by the cream of the Atlas freelance roster, including Joe Maneely, Robert Q. Sale, Gene Colan, Art Peddy, Mort Lawrence, Werner Roth and Bob Powell. Rounding the volume off, also presented is a post-Code one-shot, Police Badge #479, a snapshot of the industry's attempts to adapt to new strictures on the genre: here we view "our boys in blue" in the fight against rank corruption, highlighting the work of Don Heck and Joe Maneely. Clean, like new.

Hardcover. NY, St. Martin's Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Private detective Dwyer agrees to help Karen Lane, his high school crush, to recover a lost suitcase. Still lovely after 25 years, Karen is also greedy for money and status, but the disillusioned Dwyer takes the assignment, which puts his life in danger. When Karen dies suddenly, the detective goes after evidence that she has been murdered, and perhaps others with knowledge of the facts behind the death of their schoolmate, Sonny Howard, whose drowning has been officially declared a suicide. The tensions multiply, with Dwyer baiting a trap for criminals willing to buy the suitcase holding the source of blackmailer Karen's wealth. Clean, bright copy.

Hardcover. Chicago, University of Chicago Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Clean, bright copy, 467 pages. Illustrated with 36 pages of historic Plates, b/w, on coated paper. One of the most famous works of history, Johan Huizinga presents a brilliant portrait of life, thought, and art in 14th and 15th century France and the Netherlands.

Hardcover. Chicago, University of Chicago Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Clean, bright copy, 467 pages. Illustrated with 36 pages of historic Plates, b/w, on coated paper. One of the most famous works of history, Johan Huizinga presents a brilliant portrait of life, thought, and art in 14th and 15th century France and the Netherlands.

Softcover. Los Angeles County Museum of Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 288 pages. B&w illustrations, facsimiles, portraits. Published to accompany an exhibition at the Los Angeles County Museum of Art. Groundbreaking exhibition of Russian and Soviet art, with a special focus on Suprematism and Constructivism. Full of great information, excellent biographical entries. Essential art history.

Hardcover. NY, St, Martin's Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket.

Hardcover. NY, Crowell-Collier Press, 1st, 1962, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth boards. 64 pages illustrated with b&w cartoon-like drawings by Robert Jones. Mild soil to covers, name on front fly leaf, otherwise clean.

Hardcover. Cambridge MA, Barefoot Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 96 pages. SIGNED BY BOTH AUTHORS on a tipped-in bookplate on the front fly leaf. Lovely color illustrations by Rebecca Guay. Let yourself be drawn into the magical world of the dance with this sumptuous anthology. Love, laughter, betrayal, adventure and tragedy intertwine to create stories that will reach deep into the heart and dreams of the reader. The story of "The Sleeping Beauty" will whisk you away to the thorny castle where Princess Aurora awaits her prince; the comedy and confusion of "Coppelia" will delight you, and the magical adventures of Clara in "The Nutcracker" will entrance you. Featuring a brief history of classical ballet, as well as historical details of each dance, composition, choreography and early performances, this book will captivate anyone with a love of this awe-inspiring art.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear, 419 pages. By the mid-1600s, the commonsense, manifest picture of the world associated with Aristotle had been undermined by skeptical arguments on the one hand and by the rise of the New Science on the other. What would be the scientific image to succeed the Aristotelian model? Thomas Lennon argues here that the contest between the supporters of Descartes and the supporters of Gassendi to decide this issue was the most important philosophical debate of the latter half of the seventeenth century. Descartes and Gassendi inspired their followers with radically opposed perspectives on space, the objects in it, and how these objects are known. Lennon maintains that differing concepts on these matters implied significant moral and political differences: the Descartes/Gassendi conflict was typical of Plato's perennial battle of the gods (friends of forms) and giants (materialists), and the crux of that enduring philosophical struggle is the exercise of moral and political authority. Lennon demonstrates, in addition, that John Locke should be read as having taken up Gassendi's cause against Descartes. In Lennon's reinterpretation of the history of philosophy between the death dates of Gassendi and Malebranche, Locke's acknowledged opposition to Descartes on some issues is applied to the most important questions of Locke exegesis.

Softcover. Durham NC, Duke University Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 384 pages. Noel Burch and Genevieve Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956--when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"--are important, both as historical texts and as sources of entertainment.Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole. Still in publisher's shrinkwrap.

Hardcover. NY, Donald I. Fine, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first mystery featuring maverick lawyer Steve Winslow. Clean, like new. When out-of-work lawyer Steve Winslow enlists himself as a New York City cab driver to pay the bills, he thinks he's hit rock-bottom. That is until Sheila Benton, heir to a multimillion dollar fortune, finds his number in the yellow pages and calls upon Steve to defend her. Of course her case is only a minor one. It seems that a blackmailer was found in her apartment in an uncomfortable position -- with a knife in his back.

Softcover. Harrisburg PA, Cameron House, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 16 X 11", Contains 23 vintage beer posters, suitable for framing. There is also included a nice historical writeup of each brewery represented in the book.

Hardcover. NY, Stewart, Tabori & Chang, 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. The book opens up to a 'pop-up' of a goliath beetle (paper engineering by James Diaz), illustrated by Wendy Smith-Griswold, and then opens on either side, again with pop-ups and sliders. A book on Beetles, in a three-dimensional and 'pop-up' format for children, discussing the life cycle and lives of the insects. All in great shape, clean copy.

NY, St. Martin's Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A masterful, definitive, and eloquent look at the enormous cultural and economic impact on America of New England's textile mills. The author, an award-winning CBS producer, traces the history of American textile manufacturing back to the ingenuity of Francis Cabot Lodge. The early mills were an experiment in benevolent enlightened social responsibility on the part of the wealthy owners, who belonged to many of Boston's finest families. But the fledgling industry's ever-increasing profits were inextricably bound to the issues of slavery, immigration, and workers' rights. William Moran brings a newsman's eye for the telling detail to this fascinating saga that is equally compelling when dealing with rags and when dealing with riches. Clean copy.

Hardcover. NY, Philomel Books , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket. SIGNED BY AUTHOR & ILLUSTRATOR with a color drawing of a lamb by Morgan on the front fly leaf. After her grandmother dies, a little Tuscan girl cannot stand the sound of bells until the good-hearted schoolmaster introduces her to some belled lambs. Morgan's bright, folksy illustrations evince a hearty rusticity perfectly suited to the sweet and compassionate story. Small tear to dj at top of spine, otherwise a clean copy.

Hardcover. NY, Lyle Stuart, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in dust jacket with a faded spine, 320 pages. b&w illustrations. Biography of the famous white-collar criminal who became a multi-millionaire by manipulating financial markets. Clean copy.

Hardcover. Boston, Houghton Mifflin Harcourt, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 324 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This newest edition to the Best American Series--"A genuine salute to comics" (Houston Chronicle)--returns with a set of both established and up-and-coming contributors. Editor Lynda Barry and and brand new series editors Jessica Abel and Matt Madden--acclaimed cartoonists in their own right-- have sought out the best stories culled from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web to create this cutting-edge collection "perfect for newbies as well as fans"--The San Diego Union Tribune. This newest volume features luminaries like Chris Ware, Seth, and Alison Bechdel alongside Paul Pope's "Batman" and beloved daily cartoonists like Matt Groening.

Hardcover. NY, Houghton Mifflin Harcourt, 1st, 2013, Book: Very Good, Hardcover, 400 pages. The Best American Comics showcases the work of both established and up-and-coming contributors. Editor Jeff Smith--creator of the classic comic Bone, a comedy/adventure about three lost cousins from Boneville--has culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and web comics to create this cutting-edge collection.

Softcover. NY, Links Books, 1st, 1975, Book: Very Good, Dust Jacket: None, First Printing. Softcover. Very Good in wraps, wraparound cover art by R. Crumb.. ; 13.0 X 10.1 X 1.7 inches; 160 pages. Nice introduction by Marty Pahls on the cartoonists featured with b&w photos. Small corner crease to front cover, small ink number inside letter B on front. Otherwise clean.

Hardcover. Annapolis MD, Dead Reckoning, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 221 pages in color. A collection of the best stories from the classic run of Don Winslow of the Navy, one of the most popular comic books running during and after World War II. Edited by Craig Yoe, the selected stories are digitally remastered and contextualized with Yoe's historical research. Preceding the full, colorful tales is a detailed introduction on the creation of the adventurous Don Winslow. The character served to foster recruitment and entertain Navy personnel and the general public alike during World War II and beyond. Winslow fights the Axis and supervillains like The Snake and the attractive, but deadly, Singapore Sal. Clean copy.

Hardcover. Annapolis MD, Dead Reckoning, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 221 pages in color. A collection of the best stories from the classic run of Don Winslow of the Navy, one of the most popular comic books running during and after World War II. Edited by Craig Yoe, the selected stories are digitally remastered and contextualized with Yoe's historical research. Preceding the full, colorful tales is a detailed introduction on the creation of the adventurous Don Winslow. The character served to foster recruitment and entertain Navy personnel and the general public alike during World War II and beyond. Winslow fights the Axis and supervillains like The Snake and the attractive, but deadly, Singapore Sal. Clean copy.

Hardcover. London, The Bodley Head, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a in a bright dust jacket except for a sliver of fading to fore-edge, oblong format, unpaginated, illustrated with 52 full color cartoons. Foreword by Mark Boxer. Small owner's stamp on front fly leaf with bottom corner clipped. Uncommon in hardcover.

Softcover. NY, Holt Rinhart Winston, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 190 pages. Cartoonist Al Capp presents 26 of his favorite sequences from his cartoon strip.

Softcover. San Francisco, Rio Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, b&w comic art by Shelton. Phineas T, Fat Freddy, and Freewheelin' Franklin entertain us on these 128 pages.They begin with a trio to Mexico where the waether is warm and the drugs are cheap. LATER, they get involved in a back to the land movement. Where they go, there goes also : the cops, marijuana, busty females, kitty-cat, and the search for cash. Read more about `Violence on the Bus', `The Fourth Freak Brother', Bolivian Boo, Don Longjuan, bribes, and El Mordido, Governor Rodney Richpigge, and `The Mellow Cab Man '. Clean copy.

Hardcover. NY, H. Bittner and Company, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, blue buckram stamped with gilt code of arms and lettering on spine. Limited to 1000 copies. A study of an artistic family who created theatrical designs dating from the 1680s to the 1780s under eight names. Illustrated with 53 plates. Small review slip tipped on front fly leaf. Some darkening to covers and spine, internally clean and bright. No dust jacket.

Softcover. Philadelphia, Quirk, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 270 pages. The man. The movies. The life. The legend. Hes played a deranged grounds keeper, a bellowing lounge singer, a paranormal exterminator, and a grouchy weatherman. He is William James Bill Murray, Americas greatest national treasure. From his childhood lugging golf bags at a country club to his first taste of success on Saturday Night Live, from his starring roles in Hollywood blockbusters to his reinvention as a hipster icon for the twenty-first century, The Big Bad Book of Bill Murray chronicles every aspect of his extraordinary life and career. Hes the sort of actor who can do Hamlet and Charlies Angels in the same year. He shuns managers and agents, and he once agreed to voice the lead in Garfield because he mistakenly believed it was a Coen Brothers film. Hes famous for crashing house parties all over New York Cityand if he keeps photo bombing random strangers, he might just break the Internet. Part biography, part critical appreciation, part love letter, and all fun, this enormous full-color volume, packed with color film stills and behind-the-scenes photography, chronicles every Murray performance in loving detail, recounting all the milestones, legendary Murray stories, and controversies in the life of this enigmatic performer. Like-new condition.

Hardcover. NY, Dutton Juvenile, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages illustrated in color. SIGNED BY 11 ARTISTS on bookplate and book. More than forty acclaimed children's book authors and illustrators join together to create an anthology: stories, poems, essays, and pictures that celebrate Earth and call attention to environmental destruction, overpopulation, tampering with nature, litter, pollution, and waste disposal.

Hardcover. NY, Random House, reprint, 2016, Hardcover in pictorial boards, 306 pages. Everyone's favorite bear family is back in this collection of seven classic Berenstain Bears Bright and Early books. Written and illustrated by the beloved husband and wife team of Stan and Jan Berenstain, this one-of-a-kind treasury--featuring a story that has been unavailable for fifteen years--includes The Berenstain Bears on the Moon; The Bear Detectives; Bears on Wheels; He Bear She Bear; Inside Outside Upside Down; The Bear Scouts; and Old Hat New Hat. A perfect addition to your collection for those just learning how to read . . . or those just starting to read all on their own.

Hardcover. NY, George Braziller, 1st, 1959, Book: Good, Dust Jacket: Good, Hardcover in an edgeworn, price-clipped dust jacket, 111 pages. Wonderful b&w illustrations by Ronald Searle. The first collaboration between these Atkinson and Searle, a look at the 'new poor' in the London of the 1950's. Taking Henry Mayhew's 19th century work 'London Labour and London Poor' as their guide, the writer and artist take a perceptive, compassionate and subtly humorous, look at how the burden of poverty has shifted into some surprising quarters - including a look at a literary exile, an aging actress, enclyopedia salesman, ice cream seller and more. Shelfworn copy, but sound with a light ownership stamp to front fly leaf.

Hardcover. NY, Summit Books, 1st US, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Color illustrations through by Steadman. His take on the creation of the universe, man:- and, what we have done to the earth!

Hartford CT, Clapp and Benton, 1st, 1832, Book: Good, Hardcover, leather bound, 422 pages. A rare, early 19th-century account of the famed American President, focusing primarily on his career as a military officer and as a lawyer. This 1832 first edition of Goodwin's book includes a portrait frontispiece of Andrew Jackson. It is filled with information regarding his early childhood, civil life as lawyer senator and judge, as well as heroics in the War of 1812, the Creek War, and the American Revolution with an inclusion of his time in the presidency. Previous owner's name on verso of frontis. Covers show edgewear, top 2" of title page missing, frontispiece engraving of Jackson has a repaired tear. Still a solid copy, spine label with gilt title.

Hardcover. Berkeley CA, Counterpoint, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages. Walter Murch first came across Curzio Malaparte's writings in a chance encounter in a French book about cosmology, where one of Malaparte's stories was retold to illustrate a point about conditions shortly after the creation of the universe. Murch was so taken by the strange, utterly captivating imagery he went to find the book from which the story was taken. The book was Kaputt, Malaparte's autobiographical novel about the frontlines of World War II. Curzio Malaparte, an Italian born with a German heritage, was a journalist, dramatic, novelist and diplomat. When he wrote a book attacking totalitarianism and Hitler's reign, Mussolini, in no position to support such a body of work, stripped him of his National Fascist Party membership and sent him to internal exile on the island of Lipari. In 1941, he was sent to cover the Eastern Front as a correspondent for Corriere della Sera, the Milano daily newspaper. His dispatches from the next three years would be largely suppressed by the Italian government, but reverberated among readers as painfully real depictions of a landscape at war.

Hardcover. NY, St. Martin's Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A reminder of the time when America fell in love with a tall, lanky, curly-haired pitcher for the Detroit Tigers. For a time in the 1970s, the country was in thrall to Mark Fidrych, who came to be known as "The Bird" for his resemblance to Big Bird. Fidrych emerged in the summer of 1976 and became an unlikely but legitimate phenomenon. Wilson tells the Bird's story in this biography of the Massachusetts native whose antics included tending to his own pitching mound during games and allegedly talking to the baseball. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st Illust., 1912, Hardcover, originally written in 1886, this is a 1912 printing, a more scarce edition featuring the pen-and-ink sketches & color (black/gray/white/red) illustrations by artist Katharine R. Wireman. 91 pages. Small hardcover 8vo (6.75" x 8.5"), green cloth over boards with red & lighter green illustrations of birds, candles, & holly & red script lettering to front & spine. Front fly leaf gone, spine with mild fading.

Softcover. Louisville KY, Chicago Spectrum Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations throughout. INSCRIBED BY HAMILTON on the front fly leaf. Ed Hamilton was raised on a street, in a neighborhood, that no longer exists. But Walnut Street and the now razed black professional district are vibrant and alive in this account of how one skinny black youth became a nationally acclaimed sculptor. This autobiography chronicles not just one man, but a way of life. It is filled with photos of art work now located all over the U.S., in private homes, public plazas, and prestigious museums.

Hardcover. NY, Abrams Press, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrations, 470 pages with index. A groundbreaking, timely history of the largely unknown early days of Black basketball, bringing to life the trailblazers, entertainers, gangsters, and supremely talented athletes who made the game From the introduction of the game of basketball to Black communities in 1904 to the integration of the NBA in 1950, there was a full era in the development of the game. It was a time when Black players were discriminated against and opportunities were limited, but entrepreneurial men and women nurtured the game and breathed life into a sport they loved. This period was known as the Black Fives Era (teams at the time were often called "fives"), and was akin to the golden age of the Negro Leagues. But despite fierce rivalries between big-city clubs, innovative managers, and star players, this period is almost entirely unknown to basketball fans. Claude Johnson has made it his mission to change that. An advocate fiercely committed to our history, for more than two decades Johnson has conducted interviews, mined archives, collected artifacts, and helped to preserve an important, culturally rich era that otherwise would have been lost. The Black Fives is the result of his work, a landmark narrative history that will braid together the stories of these forgotten pioneers and rewrite our understanding of the story of basketball.

Softcover. Berkeley CA, Black Lizard Books, reprint, 1989, Book: Good, Dust Jacket: None, Softcover, mass market paperback, 171 pages. "No one writes a better crime novel than Charles Willeford" Elmore Leonard THE BLACK MASS OF BROTHER SPRINGER tells the story of Sam Springer, a drifter novelist who meets Jack Dover, the retiring Abbot of the Church of God's Flock. Dover's final official act is to ordain Springer and send him off to serve as pastor of an all-Black church in Jacksonville, Florida. Springer soon becomes entangled in the city's growing civil rights movement . . . and with the church deacon's earthy young wife, Merita. The Washington post calls this darkly humorous novel by Charles Willeford, one of the great crime writers of the 20th century, "his masterpiece." Light wear, book store stamp, price on first page, crease to rear cover. Otherwise clean.

Hardcover. NY, One World/Ballantine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A fictional narrative base on the life of America's first black female millionaire. Born to former slaves on a Louisiana plantation in 1867, Madam C.J. Walker rose from poverty and indignity to become America's first black female millionaire, the head of a hugely successful company, and a leading philanthropist in African American causes. Renowned author Alex Haley became fascinated by the story of this extraordinary heroine, and before his death in 1992 he embarked on the research and outline of a major novel based on her life. Now with The Black Rose, critically acclaimed writer Tananarive Due brings the work to inspiring completion. "I got my start by giving myself a start," Madam C.J. was fond of saying as she recounted her transformation from the uneducated laundress Sarah Breedlove to a woman of wealth, culture, and celebrity. Madam C.J. was nearing forty and married to a maverick Denver newspaperman when the wonder-working hair care method she discovered changed her life. Seemingly overnight, she built a marketing empire that enlisted more than twenty thousand bright young African American women to demonstrate and sell her products door-to-door. By the time she died in 1919, Madam C.J. Walker had constructed her own factory from the ground up, established a training school, and built a twenty-room mansion at Irvington on the Hudson, New York, called Villa Lawaro.

NY, Henry Holt , 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Raymond Chandler's incomparable private eye is back, pulled by a seductive young heiress into the most difficult and dangerous case of his career "It was one of those summer Tuesday afternoons when you begin to wonder if the earth has stopped revolving. The telephone on my desk had the look of something that knows it's being watched. Traffic trickled by in the street below, and there were a few pedestrians, too, men in hats going nowhere." So begins The Black-Eyed Blonde, a new novel featuring Philip Marlowe-yes, that Philip Marlowe. Channeling Raymond Chandler, Benjamin Black has brought Marlowe back to life for a new adventure on the mean streets of Bay City, California. It is the early 1950s, Marlowe is as restless and lonely as ever, and business is a little slow. Then a new client is shown in: young, beautiful, and expensively dressed, she wants Marlowe to find her former lover, a man named Nico Peterson. Marlowe sets off on his search, but almost immediately discovers that Peterson's disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City's richest families and developing a singular appreciation for how far they will go to protect their fortune.

Hardcover. London , Rupert Hart=Davis, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with light edgewear, 365 pages. An informal military history of the North American continent. The two major campaigns covered being the war with France for the possession of Canada & the American War of Independence. Service discipline in the British Army meant a bloody back, hence the nickname for the soldiers of the time. Name on front fly leaf, otherwise clean.