Softcover. Albuquerque, NM, University of New Mexico Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 237 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color photographs throughout.

Softcover. NY, Soft Skull Press, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. It's 1983. Scott Savitt, one of the first American exchange students in Beijing, picks up his guitar and begins strumming Blackbird. He's soon surrounded by Chinese students who know every word to every Beatles song he plays. Scott stays on in Beijing, working as a reporter for Asiaweek Magazine. The city's first nightclubs open; rock 'n' roll promises democracy. Promoted to foreign correspondent for the Los Angeles Times then United Press International, Scott finds himself drawn into China's political heart.Later, at 25 years old, Scott is the youngest accredited foreign correspondent in China with an intimate knowledge of Beijing's backstreets. But as the seven week occupation of Tiananmen Square ends in bloodshed on June 4, 1989, his greatest asset is his flame-red 500 cc. Honda motorcycle--giving Scott the freedom to witness first-hand what the Chinese government still denies ever took place. After Tiananmen, Scott founds the first independent English language newspaper in China, Beijing Scene. He knows that it's only a matter of time before the authorities move in, and sure enough, in 2000 he's arrested, flung into solitary confinement and, after a month in jail, deported. Clean copy.

Hardcover. Middle Village, Jonathan David, 1st, 1978, Book: Very Good, Dust Jacket: Good, Hardcover, 438 pages. Black & white illustrations. Price clipped dust jacket with 2 tape repaired short tears on top edge. Clean, tight copy.

Softcover. NY, Holt, Rinehart and Winston, 1st US, 1983, Book: Very Good, Dust Jacket: None, Color illustrations by McNaughton. Four graphically illustrated stories:"Cowboy Crazy", "Snow Crazy", "Pirate Crazy" and "Rock and Roll Crazy". Red laminated cardboard covers, no dust jacket issued.

Hardcover. San Francisco, Chronicle Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 156 pages. Create and Be Recognized is the first survey of a compelling, always surprising art form -- outsider photography. Presented here is the work of seventeen largely self-taught artists who have used photography or photographic elements in their creations, including such luminaries as Adolf Wolfli, Howard Finster, and Henry Darger, as well as discoveries from little known, equally dramatic artists. As with most outsider art, the work here is fuelled by singular passions, marginalized mindsets, and extreme circumstances, falling outside mainstream picture-making. Employing collage (affixing photos or reproductions to a background), photocollage (photographs cut and pasted together to form a new whole), and tableaux (works based on manipulation and staging), the artists here present work that is, by turns, lyrical and frightening, and always fascinating. Published to coincide with a major touring exhibition of the same name originating at San Francisco's Yerba Buena Center for the Arts, Create and Be Recognized documents an emerging and important facet of contemporary photography.

Hardcover. Boston, MA, University of Massachusetts Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 516 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This volume documents Fenn's prolific career from the 1860s until his death in 1911. Sue Rainey also recounts his adventurous sketching trips in the western United States, Europe, and the Middle East, which enhanced his reputation for depicting far-flung places at a time when the nation was taking a more prominent role on the world stage.

Hardcover. Boston, MA, University of Massachusetts Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 516 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This volume documents Fenn's prolific career from the 1860s until his death in 1911. Sue Rainey also recounts his adventurous sketching trips in the western United States, Europe, and the Middle East, which enhanced his reputation for depicting far-flung places at a time when the nation was taking a more prominent role on the world stage.

Softcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. How early jazz musicians improvised together and how the blues became a part of jazz has until now been a mystery. Part of the reason New Orleans jazz developed as it did is that all the prominent jazz pioneers sang in barbershop quartets. This book describes how the practices of quartet singing were converted to the instruments of a jazz band, and how this, in turn, produced collectively improvised, blues-inflected jazz. Clean, like new.

Softcover. Jackson MS, University Press of Mississippi , 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 235 pages. Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, "I figure singing and playing is the same," or, "Singing was more into my blood than the trumpet." Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. Clean copy, like new.

Hardcover. Berkeley CA, University of California Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 267 pages, b&w photos. Clean, unmarked copy with only minor wear to dust jacket. This book examines the often-neglected role played by immigrant artists and critics in the circle of Alfred Stieglitz, including Japanese-German author Sadakichi Hartmann, Mexican-born caricaturist Marius de Zayas and English Sri-Lankan curator Ananda Coomaraswamy, as well as better-known U.S.-born painters, including Arthur Dove and Georgia O'Keeffe.

Hardcover. Levine Querido, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages. Color illustrations throughout. From the creator of The Arrival, a collection of essays illuminating his thoughts and advice for writers and artists, young and old. Shaun Tan is one of the world's most highly acclaimed narrative artists. His stories and images are loved by countless young and not-so-young readers around the world. Drawing upon 25 years as a picture book and comics creator, painter, and film-maker, Creature explores the central obsession of this visionary artist, from casual doodles to studied oil-paintings. Beyond sketches for acclaimed works such as The Arrival, The Lost Thing, and Tales From Outer Suburbia, this volume collects together for the first time unseen and stand-alone illustrations, each resonant with unwritten tales of their own. Detailed commentary by the artist offers an entertaining insight into the endless allure of imaginary, non-human beings and what they might tell us about our so-called "normal" human selves. Artists, writers, students, dreamers, and anyone interested in the deeper undercurrents of creativity, myth, and visual metaphor will find inspiration in these pages. Light edgewear to dust jacket, clean copy.

Hardcover. Indianapolis , Bobbs-Merrill, 1st, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering. B&W plates by Frederic Dorr Steele. Hinges partially cracked, otherwise nice, clean.

Softcover. Beverly Hills, CA, Lawrence Bassoff Collection, 1st, 1997, Book: Very Good, Dust Jacket: None, Large softcover, 159 pages, illustrated throughout in color. Light wear to pictorial covers, else a very nice, tight. clean copy. Foreword by Robert Wise. 100 beautiful reproductions of classic crime film posters.

Hardcover. NY, St. Martin's Press , 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright. unclipped dust jacket. Clean.

Hardcover. Philadelphia, J. B. Lippincott, 1st, 1939, Book: Good, Dust Jacket: Fair, Hardbound, 314 pages. Black & white illustrations with color frontispiece by Marguerite de Angeli. Dust jacket with chipping, soiling, closed tears. Chunk missing from top of spine. Brodart cover. Previous owners markings on half title page.

Hardcover. Boston, Twayne Publishers, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 166 pages. Virtues's place in Spanish drama is partly as one of the few to attempt tragedy, partly as one of the precursors of the national comedia, but above all as a pivotal figure in an important transitional period of Spain's political and cultural history. Clean copy.

Hardcover. NY, St Martin's Press, 1st, 1981, Book: Very Good, Dust Jacket: Good, Hardcover, in an unclipped dust jacket that has some sun-fading, 471 pages, index, photography and illustrations -- Stated First Edition w/full # string and original price present. Burgundy cloth covered boards with a gilt stamped title and decorative geodesic patterns on the spine. R. Buckminster Fuller became famous for being the inventor and designer of the Dymaxion House, the Dymaxion Car, and the Dymaxion Map. He also coined the term "Spaceship Earth". Clean copy.

Softcover. NY, Museum of Primitive Art, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover,112 pages. Original color illustrated wrappers with black lettering on cover and spine. Outline guide to the objects used in upper Sepik River rituals and the context in which they are employed. Based on author's field trips to the region in 1964, 1965, and mainly 1967. Profusely illustrated with b/w photographs and drawings throughout.

Hardcover. Long Beach CA, Long Beach Museum of Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 95 pages, illustrated with 45 color plates. Like new in publisher's shrinkwrap. Since 1970, Mizuno's work has evolved from functional dinnerware to abstract sculptural forms, from playful and humorous trompe l'oeil plates to richly layered sculpture informed by his evocative personal history, paralleling the development of the ceramics field itself in the late 20th century as it evolved from functional forms to a medium of full artistic expression. The exhibition is the first major museum exhibition to survey the work of this artist whose superbly crafted works, while firmly grounded in the traditions of the ceramic arts, extend to new forms in clay that defy traditional categories. This exhibition catalogue designed by Takaaki Matsumoto includes a forward, interview with the artist, a biography and exhibition history, and the exhibition checklist of 48 artworks. The exhibition and publication trace the work of this Japanese-born, Los Angeles-based ceramist from 1971 through 2003. ISBN 0-97127772-3-0 Published by the Long Beach Museum of Art Interview of the artist by Deborah McLeod, foreword by Museum Director Harold Nelson Format: hardcover Dimensions: 8-1/2 x 6-1/4 inches 96 page plus cover / 51 color plates.

Hardcover. NY, W.W. Norton & Company, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Provides fresh insight into the age old tale of a woman who grows as an individual and literally explodes out of her marriage. May Sarton describes the burgeoning artist confined by a social contract. Light fading to spine. Clean copy.

Hardcover. NY, Scribner, 2nd pr., 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-Century America into an instantly recognizable and popular aesthetic. Now, for the first time, Dan Nadel, delivers a "gripping and essential account" (The Boston Globe) of how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact. Braiding biography with "cultural history and criticism...that honors the complexity of [its] subject, even, perhaps particularly, when it gets ugly" (Los Angeles Times), Crumb is the story of a richly complex life at the forefront of both the underground and popular cultures of post-war America. Including forty-five stunning black-and-white images throughout and a sixteen-page color insert featuring images both iconic and obscure. Clean copy.

Hardcover. NY, Pegasus, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 338 pages, b&w illustrations. A remarkable literary hybrid--part biography, part detective story--about the enduring figure of Robinson Crusoe. January 1719. A man sits at a table, writing. Nearly sixty,Daniel Defoe is troubled with gout and mired in political controversy and legal threats. But for the moment he is preoccupied by a younger man on a barren shore--Robinson Crusoe. Several miles south, another old man, Robert Knox, sits bent over a heavy volume--published nearly forty years before.Knox's Historical Relation was a best seller when it was published in 1681, just a year after he escaped from Ceylon and returned to England. Where did Crusoe come from? And what is the secret of his endurance? Crusoe explores the intertwined lives of two real men, Daniel Defoe and Robert Knox, and the character and book that emerged from their peculiar conjunction. It is the biography of a book and its hero: the story of Defoe, the man who wrote Robinson Crusoe, and of Robert Knox, the man who was Crusoe. Clean copy.

Hardcover. London, Reel Art Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, b&w and color photos by Glinn. One of the few books to capture the mayhem and idealism of the Cuban Revolution as it happened. All recorded in 10 days, it is photojournalism at it's best.

Softcover. US, Prestel, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 424 pages, color and b&w illustrations. Like new in publisher's shrink-wrap. No dust jacket, as issued. From the exhibition produced by the Montreal Museum of Fine Arts in partnership with the Museo Nacional de Belias Artes and the Fototeca de Cuba in Havana. A comprehensive history of Cuban art and design.

Hardcover. Pound Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Photographing the intersection between culture and nature for over 25 years, Virginia Beahan creates luminous and finely detailed images with an 8x10 view camera that describe the complexities of this relationship in diverse geographic settings. Her eight-year project in the waning years of Fidel Castro's revolutionary Cuba resulted in a major 2009 monograph entitled CUBA singing with bright tears. The images depict a country both tragic and beautiful, struggling beneath the weight of history. Larger-than-life images of revolutionary heroes Che Guevara and Jose Marti populate the island. The Bay of Pigs is sublime and treacherous; an atmospheric body of water rimmed with jagged black coral is the same unwelcoming shore that greeted invading CIA-trained Cuban exiles over forty-seven years ago. On a billboard, Fidel Castro reminds us that the US might invade again, and if so, he "will die fighting." Virginia Beahan's work falls within the tradition of great American photographers such as Walker Evans and Robert Adams. Her luminous and detailed large-format photographs reveal a landscape imbued with nuanced stories of culture shaped by geography and human action. Cuba's long and complicated relationship with the United States is part of this unfolding drama. Clean, bright copy.

Hardcover. Albany NY, New York Agricultural Society, 1st, 1834, Book: Very Good, Dust Jacket: None, 192 pages, the first 12 issues of this early farming periodical, each 16 pages. Issues start with March 1834 and continue through February 1835. Bound in linen covered boards with a calf spine. Nice condition, minor foxing.

Hardcover. self-published, 1983, Book: Very Good, Dust Jacket: None, Hardcover, a self-published field study, bound in green cloth covers with gilt title on front, 276 pages printed on one side only, includes maps, charts and many color photos pasted onto the pages. A thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Social Sciences at Massey University in New Zealand. the author was a missionary nurse in various provinces of Papua New Guinea from 1962 until 1972. She later returned in 1980 to research this study. A unique item.

Hardcover. New York, Zone Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 565 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, excellent, in protective brodart. Boards bound in black cloth, gilt title on spine. Binding tight. Some light pencil underlining throughout. Boards have a touch of rubbing, but in very good shape. A little light foxing to edges (shelfwear). A stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with problems of authenticity, identity, and originality.

Softcover. Durham NC, Duke University Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 672 pages. Pointing to a glaring blind spot in the basic premises of the study of American culture, leading critics and theorists in cultural studies, history, anthropology, and literature reveal the "denial of empire" at the heart of American Studies. Challenging traditional definitions and periodizations of imperialism, this volume shows how international relations reciprocally shape a dominant imperial culture at home and how imperial relations are enacted and contested within the United States.Drawing on a broad range of interpretive practices, these essays range across American history, from European representations of the New World to the mass media spectacle of the Persian Gulf War. The volume breaks down the boundary between the study of foreign relations and American culture to examine imperialism as an internal process of cultural appropriation and as an external struggle over international power. Clean copy.

Softcover. Durham NC, Duke University Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, pages. Cultures of United States Imperialism represents a major paradigm shift that will remap the field of American Studies. Pointing to a glaring blind spot in the basic premises of the study of American culture, leading critics and theorists in cultural studies, history, anthropology, and literature reveal the "denial of empire" at the heart of American Studies. Challenging traditional definitions and periodizations of imperialism, this volume shows how international relations reciprocally shape a dominant imperial culture at home and how imperial relations are enacted and contested within the United States. Light shelf wear.

Hardcover. New York, Farrar, Straus & Giroux, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Green cloth covers with gilt titles, color illustrated dust jacket, color illustrated endpapers, profusely illustrated with lovely color plates. Small clipped color illustrated article from unknown publication on Maurice Sendak included. Slight edgewear to dust jacket, very faint small brown stain to bottom right front corner of dust jacket, pages clean, crisp and unmarked; a very nice, clean, tight copy.

Hardcover. New York, Farrar, Straus & Giroux, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover. Green cloth covers with gilt titles, color illustrated dust jacket, color illustrated endpapers, profusely illustrated with lovely color plates. Small clipped color illustrated article from unknown publication on Maurice Sendak included. Slight edgewear to dust jacket, very faint small brown stain to bottom right front corner of dust jacket, pages clean, crisp and unmarked; a very nice, clean, tight copy.

Hardcover. New York, Arno Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcovers, 2 volumes complete. 331 + 404 pages with 354 plates. Originally printed by Doubleday, Doran in 1929. In this edition the color illustrations are reproduced in black-and-white.. Cream colored boards. Light smudging to covers and edges. Else a very clean, tight copy.

Softcover. London, Korero Press, 1st, 2017, Book: Very Good, Dust Jacket: None, 576 pages. Softcover. Very clean, unmarked copy with only minor edgewear to wrappers. A celebration of the stunning and stylistically varied headline lettering that existed before the advent of phototypesetting or the computer. Collects more than 4500 examples

Softcover. Law Reform Commission of Papua New Guinea, 1983, Book: Very Good, Dust Jacket: None, Softcover, 198 pages, bibliography, index. Mild fade to part of cover wrapper, otherwise clean.

Softcover. London, Hard Case Crime, 1st thus, 2016, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Robert McGinnis. Maybe no one liked Del Gilbert a whole lot, not the men he ruthlessly did business with, not the women who discovered they weren't his only lover, not even his partner in the Gilbert and Blake literary agency--me. But when I found him shot to death on the floor of his office, I had no choice. I had to track down the person responsible. And not just to lay Del to rest, either. Next to his body, the office safe was wide open, and a contract worth millions was missing.From the pen of MWA Grand Master Ed McBain comes this unforgettable story of warring agents and Hollywood dealmaking, murder and scandal--and passions igniting in the dark of night. Like new.

Hardcover. New Haven CT, Yale University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright dust jacket, 278 pages. An important pioneer of the artform that became known as photomontage. Hoch (November 1, 1889 to May 31, 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. Hoch was the lone woman among the Berlin Dada group, however she was dismayed to the Dadaists lip service to women's emancipation and her work echos her feelings that there were difference between women in media and reality. Marriage did not escape her criticism. She depicted brides as mannequins and children, reflecting the idea that women are not seen as complete people and have little control over their lives. A long-time German resident, her work fell out of favor after WWII although she continued to produce her photomontages and exhibit them internationally until her death in 1978.

Hardcover. Los Angeles, Vidal Sassoon Inc., 1st, 1978, Book: Very Good, Dust Jacket: None, 169 pages. Hardcover. Illustrated with black & white photographs. Original receipt from Vidal Sassoon Shop in London, England laid-in. Book has damp odor. Light foxing to edges. Light wear.

Hardcover. Vista CA, Ibis Publishing, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 315 pages. As Financial Advisor to China, Arthur N. Young had an intimate insight as an on-the-spot observer of events during the critical 18 years leading to the fall of the Nationalists and the Communist takeover. Along with Generalissimo Chiang Kai-shek, Dr. Young worked closely with the highest-ranking officials of the National Government in carrying out monetary and fiscal reforms prior to World War II, and stayed through the war to aid with problems of war finance, including procurement of American aid. As the Pacific Rim gains increasing international prominence, this book will prove to be of particular importance to students, scholars, business and political leaders with an interest in Asian affairs. Clean copy.

Softcover. Ausyin TX, University of Texas Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 282 pages, b&w illustrations. The simple question "How did the Maya come up with a calendar that had only 260 days?" led Vincent Malmstrom to discover an unexpected "hearth" of Mesoamerican culture. In this boldly revisionist book, he sets forth his challenging, new view of the origin and diffusion of Mesoamerican calendrical systems--the intellectual achievement that gave rise to Mesoamerican civilization and culture. Malmstrom posits that the 260-day calendar marked the interval between passages of the sun at its zenith over Izapa, an ancient ceremonial center in the Soconusco region of Mexico's Pacific coastal plain. He goes on to show how the calendar developed by the Zoque people of the region in the fourteenth century B.C. gradually diffused through Mesoamerica into the so-called "Olmec metropolitan area" of the Gulf coast and beyond to the Maya in the east and to the plateau of Mexico in the west. Clean copy.

Chelsea, MI, Sleeping Bear Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Victor Juhasz. SIGNED BY GRODIN AND JUHASZ on title-page. Sticker on dust jacket saying "Autographed Copy." Minor edgewear to dust jacket. Clever, colorful cartoon illustrations and caricatures help make this book attractive and fun...The text offers a great deal of information about the history of democracy, the development and processes of American government, and the people who have contributed to our country.

Softcover. Baltimore, Johns Hopkins University, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 288 pages. B&w illustrations. Clean copy.

Hardcover. New York, D.A.P./The National Gallery of Art, Washington, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 432 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work.Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs.

Hardcover. NY, Oxford University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 365 pages. A fascinating and poignant exploration of wartime America and of one generation's odyssey from childhood to middle age. The author views the experiences of ordinary children through the lens of developmental psychology and argues that WW II left an indelible imprint on the dreams and nightmares of an American generation, not only in childhood, but in adulthood as well. Clean copy.

Hardcover. Austin, TX, University of Texas, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. b&w and color illustrations throughout. Captures the best of Windberg's work with 50 of his finest paintings splendidly reproduced and illustrates the tranquity of the hillsides, meadows, harbors and shores of his beloved Lone Star State. Brown leather-like cover, gilt lettering to spine. Beautiful pictorial dust jacket with some edgewear. Very clean, tight and crisp copy.

Softcover. Lewiston ME, Bates College, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 40 pages illustrated in color. A twenty year retrospective, May 20-August 26, 1990, Museum of Art, Olin Arts Center, Bates College, Lewiston, Maine. Clean, bright copy.

Hardcover. Seattle, University of Washington Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth stamped in gilt, 204 pages. Dust jacket with partial fading, edgewear. Clean copy. The author's last work, a study of the Dahomean Kingdom, it's history and the part gold, colonialism and the slave trade played in it's fortunes. Scarce title.

NY, Simon & Schuster, 1st, 1938, Book: Very Good, Dust Jacket: Good, Hardcover, 144 pages in a nice dust jacket. B&w illustrations by Gluyas Williams.

NY, Clarion Books, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 48 pages. Color photos and illustrations. Illustrated end papers. More than 130 full-color photographs adorn this handsome re-creation of daily life in a Plains Indian village in 1868. Readers will meet Real Bird and his family, part of a Northern Cheyenne tribe in southeastern Montana. Each member has an important role: Men prepare to become warriors and hunters, while women learn to raise crops and build a home-a tipi-from poles and buffalo hides. The clothes the family wears, from elaborate ceremonial headdresses to colorful beaded moccasins; the foods they eat; the games they play; the crafts and jewelry they make; and the spiritual rituals they perform are among the many topics included. This large-format book, with clear text and informative sidebars, provides a detailed pictorial account of the Plains Indian life more than a century ago. Clean copy.

Hardcover. New York, Harry Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, tight copy. Illustrated heavily by author. To create this latest gem, Poortvliet found inspiration in the rich legacy of Dutch landscape and genre painting traditions and in his own Dutch heritage as well. He became intrigued by a document dating from the year 1566 that revealed the existence of an armoire owned by his distant ancestor, Jacob Jansz Poortvliet. That armoire led Rien Poortvliet to come upon something valuable indeed - a treasure trove of insights into the world of his ancestor. Characteristically evocative, the words and images in Daily Life in Holland are rich in detail and delicate in coloration, and perhaps the most beautiful of any of Poortvliet's works to date. In this fascinating saga, he recreates the lives of his forebears as they toiled and celebrated their way through daily existence. He does not conjure up a romantic vision of the past - the Dutch countryside was not all tulips and windmills! There were adversity and hard work, and we learn that 1566 was an extraordinary year in Holland, marked by famine and plague, great freezes, floods and droughts, comets and earthquakes, and an invasion by the Spanish as well.