Hardcover. Germany, Daab, 1st, 2012, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap.. The Label Book of Clothing Culture presents over 40 TOP labels within the fashion business which are among the very best in the world. Great names such as Barbour and Brioni stand next to numerous 'Hidden Champions' of clothing culture. But this extraordinary coffee-table book is about much more than mere fashion, it also presents craftsmanship and history, style and quality; it highlights those companies that have committed themselves to this tradition with heart and soul. The editor and enthusiastic art collector, Dr. Dr. Thomas Rusche, knows what he is talking about, since it is he that coined the term 'clothing culture.' He shares his knowledge of the true champions of the business and provides interesting background information about the companies presented here.

Hardcover. East Petersburg PA, Fox Chapel Publishing, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Cigar box labels in the late 19th and early 20th centuries were not only amusing and beautiful to admire, they were a testament to the printing process of chromolithography and an important precursor to today's methods of product advertising. Labeling America: Popular Culture on Cigar Box Labels showcases the unique collection of John Grossman which covers 90 years of cigar box labels and bands printed by four generations of George Schlegel Lithographers. What makes this archive unique is that the Schlegel Company kept meticulous sample albums and files showing an unbroken record of American graphic style evolution. The work of many other lithographers of that era either destroyed or irreversibly dispersed their work.Now housed at the Winterthur Museum in Delaware, the carefully cataloged Grossman collection gives a glimpse into life at the turn of the century, when over 5 billion cigars were being sold in the United States via boxes with colorful labels depicting everything from women, animals, and sports icons to actors, heroes, and political figures. This book takes these beautifully printed slices of American culture and combines them with the history of chromolithography into an interesting story of America's changing tastes. Clean, bright copy.

Hardcover. Chicago, Henry Regnery, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. A comprehensive guide to lacemaking, patterns and techniques, as well as a profusely illustrated history of this exquisite, enduring craft. Whether you want to make lace, learn to appreciate it as a connoisseur, or only contemplate its loveliest examples in the splendid photos, you will find it in this book. The author has included design notes, beautifully drawn diagrams, and clear, complete instructions for lacemaking in four categories: network, needle laces, bobbin laces, and mixed laces. These instructions will enable you to realize the ornate and flowery patterns of the past no less than the free-flowing forms of modern art. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. 330 illustrations, including 150 plates in full color. Black cloth, gilt lettering to spine. Beautiful pictorial dust jacket. A very clean, tight and crisp copy. Like New.

Hardcover. London, Pavilion Books / Chrysalis Book Group, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, no dust jacket issued. A follow up to 'Lady Cottington's Pressed Fairy Book'. . Marbled endpapers. Letters and envelopes all present; All about fairies. these letters contain everything from wisdom to suggestions to chastisement. Lady Cottington has made notes in the margins not to mention smashed fairies throughout (will she ever stop this nasty habit?!) And the fairies - they too have done their part. sprinkling magic and mayhem throughout. SIGNED BY FROUD.

Hardcover. London, T. Fisher Unwin, 1st, 1903, Book: Good, Dust Jacket: None, Hardcover. Original publisher's red/brown cloth; front cover decoratively stamped and lettered in gilt; spine lettered in gilt; rear cover decoratively stamped in gilt; top edge gilt, other edges deckled. With the 10 tissue-guarded plates as called for, of which 8 are in color; and numerous other illustrations in the text. 316 pages. Beauclerk illustrated a number of literary productions, including Horace Walpole's tragedy The Mysterious Mother, the English translation of Gottfried August Burger's Leonora (1796) and The Fables of John Dryden (1797). After 1785 she was one of a circle of women, along with Emma Crewe and Elizabeth Templetown (1746/7-1823), whose designs for Josiah Wedgwood were made into bas-reliefs on jasper ornaments. Hinges cracked, spine cloth chipped at front top, mild foxing throughout. Otherwise clean. PLEASE NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Authors & Newspapaer Association, 1st, 1906, Book: Good, Dust Jacket: None, Hardcover, tan cloth stamped with 3-color decoration, 317 pages. 4 color plates by Arthur William Brown. Previous owner's signature on title page and front end paper. Gutter crack at title page.

Hardcover. New York , Thames & Hudson, 1st, 1995, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Faint foxing to top edge, otherwise a clean, tight copy. From the legendary David Bailey comes this collection of photographs - a tribute to his wife, the model Catherine Bailey. Divided into five sections - nudes, fashion, pregnancy, children and beauty - these images capture her in different incarnations, as wife, mother, lover, seductress...and as tramp. The text is provided by Fay Weldon, a close friend of both David and Catherine Bailey. She explores the relationship between the photographer and his wife, and wider themes such as the interaction of commerce and art, the status of photography as a "real" art-form and the different ways men and women see the world.

Softcover. New York, Dell Publishing, 2nd, 1953, Book: Very Good, Dust Jacket: None, 256 pages. Paperback. Dell Book #734. Minor wear to paper wrappers. Light crease and fade to spine and front cover. Cover art by Frank Cazzorelli.

Hardcover. NY, Harcourt Brace Janovich, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Amy Schwartz. Award sticker on dust jacket front. Dust jacket price clipped. Clean, tight copy.

Softcover. NY, Avon, 1st pbk, 1950, Book: Good, Paperback, unpaginated, stapled binding, color wrappers, 5 3/4 X 7". Cover art uncredited. MMM #49. light wear, soil.

Hardcover. NY, St. Martin's, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Tom Shephard is the new homicide detective in swanky Laguna Beach, California, and he's come to town from L.A. after killing a boy in a justifiable homicide. But the rep and the psychological baggage has followed him to Laguna Beach. Shephard has barely found his desk when he's called to the scene of a particularly brutal homicide in which the victim has been doused in turpentine and set ablaze. Shortly thereafter, a second victim is dealt a similar fate, and Shephard finds himself drawn into a complex mystery involving sex, blackmail and murder that stretches back forty years and that also involves members of his own family. Paper tanning slightly. Clean copy.

Hardcover. Basin Harbor VT, Lake Champlain Maritime Museum, 1st, 2003, Book: Very Good, Dust Jacket: Good, Hardcover, 187 pages, illustrated throughout in color and b&w. SIGNED by author Arthur B. Cohn on title page. Dust jacket worn, with light sunning and tearing. Related article laid in. Clean, tight copy.

Hardcover. New York, Ballantine, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 390 pages. SIGNED BY GOODMAN ON TITLE PAGE. Blue boards, black spine with silver titles, illustrated dust jacket with mylar protective covering. Unmarked boards, beautiful dust jacket, spine stiff and tight, crisp pages. Twenty years ago, Jane Hudson fled the Heart Lake School for Girls in the Adirondacks after a terrible tragedy. The week before her graduation, in that sheltered wonderland, three lives were taken, all victims of suicide. Only Jane was left to carry the burden of a mystery that has stayed hidden in the depths of Heart Lake for more than two decades. Now Jane has returned to the school as a Latin teacher, recently separated and hoping to make a fresh start with her young daughter. But ominous messages from the past dredge up forgotten memories. And young, troubled girls are beginning to die again-as piece by piece the shattering truth slowly floats to the surface. . . .

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 257 pages. Orange cloth, gilt lettering to spine, top edge cosmetic stain. Slight wear to dust jacket, else a very nice, tight copy in protective brodart cover. Walker Percy (1916-1990) was one of the most prominent American writers of the twentieth century. Born in Birmingham, Alabama, he was the oldest of three brothers in an established Southern family that contained both a Civil War hero and a U.S. senator. Acclaimed for his poetic style and moving depictions of the alienation of modern American culture, Percy was the bestselling author of six fiction titles--including the classic novel The Moviegoer (1961), winner of the National Book Award--and fifteen works of nonfiction.

Hardcover. New York, Farrar, Straus and Giroux, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 257 pages. Orange cloth, gilt lettering to spine, top edge cosmetic stain. Slight wear to dust jacket, else a very nice, tight copy in protective brodart cover.

Softcover. NY, King's Crown Press, 1st, 1946, Book: Very Good, Dust Jacket: None, Softcover, gray wrappers, 287 pages. Local government bodies known as county councils were the landlords for 25,000 small farmers, market gardeners, and part-time agriculturalists in England and Wales in 1935. Clean copy.

Softcover. Boulder CO, Westview Press , 1st US, 1993, Book: Very Good, Dust Jacket: None, Softcover, 360 pages. B&w illustrations. The period 1000 to 1630 was the most dynamic era in the history of the Mande- and West Atlantic-speaking peoples living between the bend of the Niger River and the Atlantic littoral. Many of the economic, social, and cultural patterns that evolved during those centuries remain of fundamental importance.This study delineates historical processes in the context of climate change, expanding trade networks, and widespread state-building. The long dry period, c. 1100-c. 1500, impelled Mande-speaking traders and blacksmiths to move progressively southward and westward, founding chapters of Mande "power associations" among host communities. Smiths and traders were followed by horse warriors who founded conquest states and imposed a tripartite social stratification. During the brief c. 1500-c. 1630 wet period, the southward movement of horse warriors was temporarily checked, but Europeans and Eur-Africans promoted an expanding trade in slaves that ravaged the peoples of western Africa during the centuries following. Landlords and Strangers provides a comprehensive synthesis of documentary and oral data and includes numerous extracts from contemporaneous sources to vividly portray the peoples and lands of western Africa.

Hardcover. NY, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. Fact and fiction mix in this first truly international survey of a vibrant, burgeoning field, its masterful twenty-first-century practitioners, and their work. William A. Ewing, the eminent photography author and curator, has selected 240 photographs by over 100 photographers, ranging from renowned figures such as Andreas Gursky, Richard Misrach, Susan Derges and Edward Burtynsky, to younger rising stars, including Olaf Otto Becker, Pieter Hugo and Penelope Umbrico. Each represents an individual or original viewpoint of a shared concern for our rapidly changing environment. Organized into ten themes: Sublime; Pastoral; Artefacts; Rupture; Playground; Scar; Control; Enigma; Hallucination; and Reverie. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. San Francisco, CA, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 298 pages. Dark blue cloth covers, embossed titles to spine, dark blue dust jacket with photographic illustration, profusely illustrated with gorgeous color photographs. Light rubbing to dust jacket, small nick to dust jacket at mid-spine, pages crisp and unmarked, clean boards; a beautiful book in great condition. Author Harvey H. Kaiser spent ten years exploring the historic architecture of the Western National Parks, from the rain forrests of the Olympic Peninsular to the awesome wonder of the Grand Canyon, and from rough-hewn travelers' cabins to Yosemite's spectacular Ahwahnee Hotel and Mount Hood's Timberline Lodge. Organized by region and park, and rich with historic detail.

Softcover. Argentum, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 126 pages in color. Critically acclaimed photographer David Ward explores the essential attributes of a successful landscape photograph--simplicity, ambiguity, and beauty--in this intriguing companion to his first book, Landscape Within. David discusses how the notion of beauty has been viewed by artists and psychologists and how, despite various modifications over the centuries, the concept of beauty remains relevant. David suggests that all photographers' work either poses a question or seeks to impose the photographer's viewpoint, and he goes on to investigate how photography affects our interpretation of the world around us. Accompanied by a selection of David's stunning, large-format landscape images, this is an elegant and insightful look into the nature of photography. Clean copy.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. Like painters and draftsmen before them, photographers turned to the landscape as a source of inspiration after the invention of the medium in 1839. Since then, changing artistic movements and technical advancements have provided opportunities for camera artists to approach the subject in diverse and imaginative ways, as illustrated by the wide range of works from the extensive collection of the J. Paul Getty Museum in Landscape in Photographs.

NY, D.A.P., 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 368 pages. Although the fact may be surprising to some, landscape painting is positively thriving in the 21st century-indeed, the genre has arguably never felt as vital as it does today. The reasons why, if speculative, surely include our imminent environmental collapse and increasingly digitally mediated existence. Landscape Painting Now is the first book of its kind to take a global view of its subject, featuring more than eighty outstanding contemporary artists-both established and emerging-whose ages span seven decades and who hail from twenty-five different countries. Clean copy.

Hardcover. NY, Lustrum Press, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with minor wrinkles to rear panel. 175 pages. Photographs and essays by Robert Adams, Lewis Baltz, Harry Callahan, Paul Caponigro, Hamish Fulton, William Garnett, Eliot Porter, Art Sinsabaugh, George Tice, and Brett Weston. No markings.

Hardcover. Athens GA, University of Georgia Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 254 pages, b&w illustrations. George Alexander Grant is an unknown elder in the field of American landscape photography. Just as they did the work of his contemporaries Ansel Adams, Edward Weston, Eliot Porter, and others, millions of people viewed Grant's photographs; unlike those contemporaries, few even knew Grant's name. Landscapes for the People shares his story through his remarkable images and a compelling biography profiling patience, perseverance, dedication, and an unsurpassed love of the natural and historic places that Americans chose to preserve. A Pennsylvania native, Grant was introduced to the parks during the summer of 1922 and resolved to make parks work and photography his life. Seven years later, he received his dream job and spent the next quarter century visiting the four corners of the country to produce images in more than one hundred national parks, monuments, historic sites, battlefields, and other locations. He was there to visually document the dramatic expansion of the National Park Service during the New Deal, including the work of the Civilian Conservation Corps. Grant's images are the work of a master craftsman. His practiced eye for composition and exposure and his patience to capture subjects in their finest light are comparable to those of his more widely known contemporaries. Nearly fifty years after his death, and in concert with the 2016 centennial of the National Park Service, it is fitting that George Grant's photography be introduced to a new generation of Americans.

Softcover. New Haven CT, Yale University Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 426 pages. How do we evaluate the power and utility of language when it has been made to articulate falsehoods in certain totalitarian regimes or has been charged with vulgarity and imprecision in a mass-consumer democracy? How will language react to the increasingly urgent claims of more exact speech such as mathematics and symbolic notation? These are some of the questions Steiner addresses in this elegantly written book, first published in 1967 to international acclaim. Clean, bright copy.

Softcover. New York, Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. A very clean, unmarked copy with only minor wear to edges. Black and white portraits of citizens of Indiana, taken over 4 decades.

Hardcover. FR, Dupuis, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 46 pages illustrated in color by Van Hamme. FRENCH LANGUAGE, graphic novel. Clean copy.

Softcover. NY, Phaidon Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, 55 photos. Born in 1941, Larry Fink was a teenager in the 1950s in an America on the cusp of radical social change. Growing up on Long Island in New York, Larry Fink was disinterested in the consumer-driven culture of 1950s' America. A disaffected teenager, his parents transferred him to art school where his career as a photographer began to flourish. His parents were supportive of his interest in the arts, and Fink would later drop out of college to join a circle of artists living in Greenwich Village. Fink spent the 1960s watching and learning from the prominent photographers of the time: Henri Cartier- Bresson, Robert Frank, W. Eugene Smith, and in many ways, his photographic aesthetic and rebellious spirit encapsulate the dramatic lose of innocence that the US underwent after the assassination of John F. Kennedy in 1963. photographic mentor.

Hardcover. Boston NY, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, 83 color plates, 53 duotone plates. Foreword by David Levy. Rivers, one of the original Pop artists on the 1950s art scene, is known for his bold and eclectic style. Inspired by sources as diverse as the impressionists, Napoleon, and Hollywood movies, Rivers' work shows a keen sense of history and an adventurous spirit.

Hardcover. Boston, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, black cloth titled in silver on the spine, in a color pictorial dust wrapper. 183 & 1 pages, profusely illustrated in color and black & white throughout, including many full-page illustrations. Near fine. First edition. Produced in association with The Corcoran Gallery of Art with a foreword by David C. Levy and essays by Barbara Rose and Jacquelyn Days Serwer. Never opened, still in original shrink wrap.

Hardcover. NY, Tibor de Nagy Gallery, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, unpaginated, illustrated in color. Introduction by John Yau. Clean, bright copy of this exhibition catalog.

Softcover. Newbury, MA, Newburyport Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 62 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Hardcover. New York, St. Martins Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 229 pages. 1st edition. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear and yellowing to dust jacket edges. An otherwise tight copy. First printing of the author's first book, which won an Edgar as Best First Novel.

Hardcover. Los Angeles, Art Issues Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 420 pages with index. Christopher Knight is the unprecedented five-time winner of the Chemical Bank Award for Distinguished Newspaper Art Criticism, and was a finalist for the 1990 Pulitzer Prize in criticism. Writing first for the Los Angeles Herald Examiner and now for the Los Angeles Times, Knight has developed a new journalistic approach to American art and culture, in which a radical defense of images stands alongside an incisive critique of cultural institutions. Among the 129 essays and reviews collected here are individual writings on internationally important historical figures, such as Rembrandt van Rijn, Tung Ch'i Ch'ang, and douard Manet; contemporary American masters like Edward Ruscha and Mike Kelley; and significant artists virtually forgotten today, such as California's Henrietta Shore and Mexico's Hermenegildo Bustos. Clean copy.

Hardcover. NY, St. Martin's , 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.

Hardcover. Columbia, Missouri, Univ of Missouri Pr, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 270 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Columbia, MI, University of Missouri Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 270 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white illustrations throughout. A tight copy.

Hardcover. London, Sampson Low, Marston, Searle Rivington, 1st, 1885, Book: Very Good, Dust Jacket: None, Hardcover, 328 pages, frontispiece engraving of Napoleon. Chronicles the political intrigue that propelled Napoleon from military leader to Emperor. Bound in three-quarter black leather over blue cloth, raised bands on spine, gilt decorations and lettering on spine. Top edge gilt, light corner wear.

Softcover. Hollywood, CA, Saint Enterprises, 1st, 1946, Book: Good, Dust Jacket: None, 128 pages. Paperback. Chartered Mystery #25. Pencil notation on first page. Light soil and warping to spine. Digest size 5x7. Abrasion on rear wrapper.

Hardcover. NY, Scribner, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Twenty-six New Yorker cartoonists take on aging, retirement, death and the Great Beyond. George Booth, Edward Koren, Marisa Acocella Marchetto (creator of Cancer Vixen) and Gahan Wilson are among those confronting the Reaper. Some cartoons in the book have previously appeared in the New Yorker, but most are originals. Contributors range in age from their 30s to the 90-year-old Frank Modell. Various cartoons deal with the shock of baby boomers as their old age looms: Roz Chast depicts the body with a mind of its own, aging despite its owner's wishes; J.B. Handelsman draws an executive telling an older worker that the company encourages certain employees to die. But many of the cartoons celebrate the continuing vitality of seniors, such as Lee Lorenz's female astronaut who will be the first Gray Panther to walk on the moon. The hooded Grim Reaper is a continuing presence, but many cartoons are set in heaven or hell. In the back of the book, most of the contributors say who they would like to meet in the Great Beyond. In this life-affirming collection, even death can't halt the momentum of the human comedy. Clean copy.

Softcover. New York , Epic Comics, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 59 pages illustrated in color by Potts. Clean, bright copy.

Hardcover. London, Faber & Faber, revised ed., 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. burgundy cloth boards w/ blue & gilt spine plate, 133 pages with color plates & 100 pages of bw plates.

Softcover. Santa Fe, Museum of New Mexico Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 188 pages, illustrated with 100+ political posters made between 1960 and 1990, this book documents the sociopolitical history of Latin America during a period of intense radicalism and upheaval. Essays by leading Latin American scholars

Hardcover. New York, Abrams/Bronx Museum of the Arts, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 343 pages, illustrated throughout in color with brief biographies of artists. Very good, unmarked, in a bright dust jacket.

Hardcover. New York, Whittlesey House, 1st, 1944, Book: Very Good, Dust Jacket: Good, Hardcover, unpaginated, approx. 250 b&w cartoons gathered from the Saturday Evening Post in the mid-forties. Cartoonists include Gardner Rae, Ted Key, Barbara Shermund, Chon Day, George Price, many others. Bright and clean, dust jacket present with spine chipping.

Hardcover. New York , Grosset & Dunlap, 1st, 1946, Book: Very Good, Dust Jacket: None, Unpaginated, a collection of over 250 b&w cartoons by artists like Syd Hoff, Ali, Garrett Price, Soglow, Dave Breger, and many others. Illustrated cardboard covers with light wear.

Hardcover. Ithaca NY, Cornell University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 209 pages with index. Why do we laugh? Do we really want to know why? We are torn between desire to understand the joyous human response of laughter and reluctance to expose the secret of our spontaneity to the rigors of intellectualizing, the labors of analysis. Marcel Gutwirth here offers a fresh approach to laughter and the full range of funny occasions-- from the artistry of Molire's Misanthrope to the unique nature of Beckett's comic wisdom. Clean copy.

Hardcover. Philadelphia, David McKay, 1st, 1942, Book: Very Good, Dust Jacket: Very Good, Hardcover, 2-color cartoons throughout by Marge. Marjorie Henderson Buell created the comic strip Little Lulu in 1935. A beautiful copy of this Little Lulu book with cartoons reprinted from THE SATURDAY EVENING POST. 8.25'' x 7''. Original pictorial boards. In original pictorial dust jacket (with this title listed last on rear flap). Dj with light wear, dust soil. Clean copy.

Softcover. Fort Worth TX, Amon Carter Museum, 1st, 1986, Book: Good, Dust Jacket: None, Softcover in sun faded wraps, 339 pages. Laura Gilpin (1891-1979) was a photographer of the American Southwest for over sixty years. She was intrigued by the Navajo Indians but also made excursions to other parts of the United States and to Yucatan as well as documenting life during the Great Depression. The book accompanied a retrospective exhibition and includes a chronological bibliography of her other exhibitions and published work. 167 superb full-page reproductions in tritone, color and duotone. Paper cover with wear, inside bright and clean. DOMESTIC SHIPPING ONLY.