Hardcover. Boston, Davis Godine, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 188 pages. Hardcover with dust jacket with only light wear. Clean tight copy. Color pictures throughout. Fine art and fine bookmaking meet in this full color selection of 77 books from Europe and the Americas. The authors select, and comment upon, the "best of both worlds": books whose pages reveal the best graphic work of the past century; artwork from the hands of masters as diverse as Braque, Calder, Dine, Hockney, Mapplethorpe, Matisse, Maillol, Picasso, Oldenburg and Rivers-coupled with memorable texts orchestrated by the best designers, printers, and binders.

Hardcover. New York, Rizzoli International Publications, reprint, 2014, Book: Very Good, Dust Jacket: None, Hardcover with dust jacket. Like new in publisher's shrink-wrap. These facsimile pages from the twelve issues of Flair are a celebration of Fleur Cowles zest for creativity in the arts. The 338 pages must have been a challenge for the Hong Kong printers, they had to cope with various foldout pages, die-cut holes, different paper stock and bind in several short pages, two concertina foldouts and five sixteen page booklets.

Hardcover. London, Prion, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 368 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Archie Comics, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 96 color pages illustrated by Bob Montana.

Softcover. Archie Comics, reprint, 1995, Book: Very Good, Dust Jacket: None, A collection of stories from the "Golden Age" of Archie Andrews and his friends. Color comics in color. Softcover.

Softcover. Archie Comics, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, color throughout

Hardcover. NY, Stewart, Tabori and Chang, 1st, 2009-04-01, Book: Very Good, Dust Jacket: Very Good, 176 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Farrar, Straus & Giroux, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 375 pages. B&W photographs and illustrations. Pictorial dust jacket. Green cloth with gilt title to spine. Erratum laid-in. Overall, a clean, tight copy. ohn Betjeman was by far the most popular poet of the twentieth century; his collected poems sold more than two million copies. As poet laureate of England, he became a national icon, but behind the public man were doubts and demons. The poet best known for writing hymns of praise to athletic middle-class girls on the tennis courts led a tempestuous emotional life. For much of his fifty-year marriage to Penelope Chetwode, the daughter of a field marshal, Betjeman had a relationship with Elizabeth Cavendish, the daughter of the Duke of Devonshire and lady-in-waiting to Princess Margaret. Betjeman, a devout Anglican, was tormented by guilt about the storms this emotional triangle caused. Betjeman, published to coincide with the hundredth anniversary of the poet's birth, is the first to use fully the vast archive of personal material relating to his private life, including literally hundreds of letters written by his wife about their life together and apart. Here too are chronicled his many friendships, ranging from "Bosie" Douglas to the young satirists of Private Eye, from the Mitford sisters to the Crazy Gang. This is a celebration of a much-loved poet, a brave campaigner for architecture at risk, and a highly popular public performer. Betjeman was the classic example of the melancholy clown, whose sadness found its perfect mood music in the hymns of a poignant Anglicanism. Clean copy.

Hardcover. NY, A. A. Wyn, Inc., 1st, 1946, Book: Good, Dust Jacket: None, Hardcover, black cloth with red lettering on spine. 272 pages, Introduction by Harold Ickes. The author accuses General MacArthur of colluding to help elect the corrupt Manuel Roxas, President of the Filipino Republic. The author was a resistance fighter who fought against the Japanese. Related newspaper clippings laid in. Mild musty odor. Clean copy.

Softcover. Seattle, Fantagraphics Books, 1st thus, 2007-12-05, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Having mastered comic books and gag cartoons, in 1958 Jack Cole set his sights on the cartoonist's pot of gold--a syndicated newspaper strip. He hit the bull's-eye with Betsy and Me, a breezy domestic farce focusing on a middle-class urban couple and their smart-aleck genius son. Betsy and Me was an instant success and newpapers were lining up to buy it. Then, with only two-and-a-half month's worth of strips completed, Cole purchased a .22 caliber pistol and ended his life. For Betsy and Me, featuring city dweller Chet Tibbit's day-to-day stuggles and achievements, Cole stripped his style down to its bare essentials, creating a strip that sparkles with economy, wit, and charm. What gave the strip its edge, however, was Cole's innovative storytelling. As R.C. Harvey writes in his introduction, "Cole's storytelling manner was unique: the comedy arose from the pictures' contradicting the narrative prose. Cole's fatuous protagonist and narrator would say one thing in the captions accompanying the drawings, but the pictures of his actions showed the opposite, revealing [him] to be a trifle pretentious and wholly delusional." Harvey's intro also serves as a biographical sketch and sheds light on the circumstances surrounding Cole's suicide.

Softcover. Seattle, Fantagraphics Books, 1st thus, 2007-12-05, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Having mastered comic books and gag cartoons, in 1958 Jack Cole set his sights on the cartoonist's pot of gold--a syndicated newspaper strip. He hit the bull's-eye with Betsy and Me, a breezy domestic farce focusing on a middle-class urban couple and their smart-aleck genius son. Betsy and Me was an instant success and newpapers were lining up to buy it. Then, with only two-and-a-half month's worth of strips completed, Cole purchased a .22 caliber pistol and ended his life. For Betsy and Me, featuring city dweller Chet Tibbit's day-to-day stuggles and achievements, Cole stripped his style down to its bare essentials, creating a strip that sparkles with economy, wit, and charm. What gave the strip its edge, however, was Cole's innovative storytelling. As R.C. Harvey writes in his introduction, "Cole's storytelling manner was unique: the comedy arose from the pictures' contradicting the narrative prose. Cole's fatuous protagonist and narrator would say one thing in the captions accompanying the drawings, but the pictures of his actions showed the opposite, revealing [him] to be a trifle pretentious and wholly delusional." Harvey's intro also serves as a biographical sketch and sheds light on the circumstances surrounding Cole's suicide.

Softcover. Canada, The History Press, 1st, Book: Very Good, Dust Jacket: None, 143 pages, softcover. Extensive b&w illustrations throughout. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New York, Holt Rinehart Winston, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, unpaginated (about 94 pages), b&w cartoons by Hoff from The New Yorker and Look Magazine. Dust jacket with rubbing, edge wear. Clean.

Hardcover. New York, Random House, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover. Unpaginated, a collection of b&w cartoons previously published in The Saturday Evening Post, Colliers, The New Yorker and Esquire. Previous owner's inscription on front fly leaf.

London, Thames & Hudson, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 80 pages. 56 illustrations, 13 in color. At 18, Bettina arrived in Paris hoping to become a fashion designer, but it was as a model that her career began. She later became the most famous French model of the 1950s, with fashion's leading photographers - among them, Henry Clarke, Irving Penn and Henri Cartier-Bresson - fighting over her. Bettina remains to this day a leading figure in the field of fashion. NOTE: This book has a light musty odor.

Hardcover. Koln GR, Walther Konig, 1st, 2007, Book: Very Good, Dust Jacket: None, Text in German and English. 96 pages, illustrated in color and b&w. Light shelf-wear to illustrated boards. No dust jacket. Clean, tight copy.

Hardcover. Manchester, VT, Hudson Hills, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 163 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Small ink notation on front fly leaf otherwise clean. 320 pages with extensive notes and index. This book tracks the dramatic outcomes of the federal government's growing involvement in higher education between World War I and the 1970s, and the conservative backlash against that involvement from the 1980s onward. Using cutting-edge analysis, Christopher Loss recovers higher education's central importance to the larger social and political history of the United States in the twentieth century, and chronicles its transformation into a key mediating institution between citizens and the state. Framed around the three major federal higher education policies of the twentieth century--the 1944 GI Bill, the 1958 National Defense Education Act, and the 1965 Higher Education Act--the book charts the federal government's various efforts to deploy education to ready citizens for the national, bureaucratized, and increasingly global world in which they lived. Loss details the myriad ways in which academic leaders and students shaped, and were shaped by, the state's shifting politicalagenda as it moved from a preoccupation with economic security during the Great Depression, to national security during World War II and the Cold War, to securing the rights of African Americans, women, and other previously marginalized groups during the 1960s and '70s. Along the way, Loss reappraises the origins of higher education's current-day diversity regime, the growth of identity group politics, and the privatization of citizenship at the close of the twentieth century. At a time when people's faith in government and higher education is being sorely tested, this book sheds new light on the close relations between American higher education and politics.

Hardcover. Museum of American Art and University of New Mexico Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 176 pages. Numerous color and black and white plates. Essays by Merry A. Foresta, Stephen Jay Gould and Karal Ann Marling. Published on the occasion of the traveling exhibition, 1992-1993. Bar code sticker on rear of dust jacket, otherwise clean, bright copy. Uncommon in hardcover.

Hardcover. NY, Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, Illustrated with color, black & white plates. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Evansville, Evansville Museum of Arts & Science, First Edition, 1990, Book: Very Good, Dust Jacket: None, 32 pages. Softcover SIGNED & INSCRIBED BY ARTIST to title page. Bright illustration to covers with french flaps, published to accompany the exhibition of the same title held at the Evansville Museum of Arts & Science, Evansville, Indiana, April 22 - May 27, 1990 among other touring locations.

Softcover. NY, Andre Emmerich Gallery, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 24 pages with color photos of the artist's sculptures. Name on inside front cover, otherwise clean.

Softcover. NY, Andre Emmerich Gallery, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 32 pages with color illustrations. Introduction by Carter Ratcliff. Name on inside front cover, otherwise clean.

Softcover. NY, Andre Emmerich Gallery, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, 20 pages. Six color pates. Name on inside front cover otherwise clean, bright copy.

Hardcover. NY, W.W. Norton & Company, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The astrobiologist Theo Byrne searches for life throughout the cosmos while single-handedly raising his unusual nine-year-old, Robin, following the death of his wife. Robin is a warm, kind boy who spends hours painting elaborate pictures of endangered animals. Hes also about to be expelled from third grade for smashing his friend in the face. As his son grows more troubled, Theo hopes to keep him off psychoactive drugs. He learns of an experimental neurofeedback treatment to bolster Robins emotional control, one that involves training the boy on the recorded patterns of his mothers brain With its soaring descriptions of the natural world, its tantalizing vision of life beyond, and its account of a father and sons ferocious love, Bewilderment marks Richard Powers' most intimate and moving novel. At its heart lies the question: How can we tell our children the truth about this beautiful, imperiled planet? Powers' thirteenth novel, his first since winning the 2019 Pulitzer Prize for Fiction for his novel The Overstory. BEWILDERMENT was shortlisted for the 2021 Booker Prize. Clean copy.

Softcover. London, Earthscan Publications, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 190 pages. Translated by David St Clair. A diary of daily life in a favela in Sao Paulo, one of the city's slums where the poor live in shacks. Carolina Maria de Jesus describes the daily routine of her life, her hunt for paper and metal to sell so as to buy food for her family. At night she would write her diary on the scraps of paper she collected. Her diary reflected the experience of millions and exposed the injustice of Brazilian society. Clean copy.

Softcover. Cambridge MA, MIT Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 184 pages, illustrated in color, essays and an interview with the photographer. From his provocative Cover Girl series featuring photographic portraits of himself on the covers of popular magazines, to his writings on sexuality and identity, the work of Nigerian-born Ike Ude explores a world of dualities: African/postnationalist, photographer/performance artist, artist/spectator, male/female, mainstream/marginal, seduction/narcissism, and fashion/art. As an artist from Nigeria working in New York City, connected to the world of fashion and celebrity, Ude gives the political aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art.

Hardcover. NY, Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 pages. Eclipsed by the Impressionists, Naturalist painters are restored to their rightful place in the history of art in this remarkable, lavishly illustrated study. Influenced by Emile Zola's writings, French Naturalist artists documented personalities and locales in a detached, impersonal style. With photography as their chief tool and ally, the Naturalists aimed for the look of unposed, spontaneous nature, which put them on a collision course with the Impressionists. Now this challenging book adds a new dimension to that period, showing that at the same time the Naturalists were shaping a different view of painting. Weisberg reveals that the Naturalists went beyond Impressionism in both technique and subject matter. 307 illustrations, 86 in full color. Very good in a bright dust jacket.

Hardcover. San Diego, CA, IDW Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 164 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Satin ribbon marker. Includes the complete series written by Jack Williamson and with art by Lee Elias.

Softcover. NY/London, Routledge, 1st, 2008, Book: Good, Dust Jacket: None, Softcover, 248 pages. Light pecil marking to 6 pages. Mild shelf wear. Laurel Schneider takes the reader on a vivid journey from the origins of "the logic of the One" - only recently dubbed monotheism - through to the modern day, where monotheism has increasingly failed to adequately address spiritual, scientific, and ethical experiences in the changing world. In Part I, Schneider traces a trajectory from the ancient history of monotheism and multiplicity in Greece, Israel, and Africa through the Constantinian valorization of the logic of the One, to medieval and modern challenges to that logic in poetry and science. She pursues an alternative and constructive approach in Part II: a "logic of multiplicity" already resident in Christian traditions in which the complexity of life and the presence of God may be better articulated. Part III takes up the open-ended question of ethics from within that multiplicity, exploring the implications of this radical and realistic new theology for the questions that lie underneath theological construction: questions of belonging and nationalism, of the possibility of love, and of unity. In this groundbreaking work of contemporary theology, Schneider shows that the One is not lost in divine multiplicity, and that in spite of its abstractions, divine multiplicity is realistic and worldly, impossible ultimately to abstract.

Hardcover. US, Yale University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 549 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next traces the development of Chinese landscape painting from the third to the tenth century. He then moves on to discuss the art of the Sung dynasty, when the imperial government was increasingly absolute and repressive. In this period artists shifted from a realistic rendition of nature to more symbolic representation of single flowers, rocks and trees. By the time of the Yuan dynasty, following the Mongol conquest of 1279, objective representation in art had been replaced by imagery that drew on the artist's inner response to his world. Because it was believed that the meaning of a painted subject, made complex by personal and symbolic associations, could no longer be expressed without language, the painter began to inscribe poems and incorporate calligraphy in his works, the multiple relationships among word, image and calligraphy forming the basis of a new art. At this stage Chinese art entered its richest and most diverse stage f development.

Softcover. Phoenix, AZ, Phoenix Art Museum, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 181pages, illustrated throughout in color and b&w. Gray pictorial stiff wrappers. Light wear to edges and spine, else like enw.

Hardcover. NY, Viking Adult, 1st, 1996, Book: Good, Dust Jacket: Good, Hardcover, 282 pages, with photographs of the artist and her work. Slight foxing on top edge and small stain on fore edge, otherwise, very clean and tight copy. Twenty years after the publication of her autobiography, Through the Flower, the renowned artist and feminist continues the story of her life and takes a provocative look at late twentieth-century American culture and the allocation of our resources.

Hardcover. NY, Farrar, Straus & Giroux, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A novel for older children featuring a family of six children, living on Poseidon, one of the islands of Atlantis. Dust jacket art by Enrico Arno.

Hardcover. London, Chelsea, 1st, 1923, Book: Very Good, Dust Jacket: Good, 60 pages. Hardcover with dust jacket. Soil to dust jacket. Chipping to spine. Light wear to covers. Clean, internally.

Hardcover. London, Rupert Hart-Davis, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover, 201 pages, b&w illustrations. Dark red cloth with edgeworn dust jacket, some light pencil notes in preface and rear endpapers. Publisher's review slip laid in.

Hardcover. NY, Harper & Brothers, First Edition, 1900, Book: Very Good, Dust Jacket: None, 239 pages. Hardcover. Green cloth boards with embossed art nouveau design, light green ink & gilt titles. Moderate foxing to preliminary pages. Light foxing to a couple interior pages, and last illustration. Otherwise light toning to edges, clean & unmarked.

Softcover. Milwaukee Art Museum and Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. Biedermeier examines Biedermeier painting, furniture and decorative arts as a style and a cultural attitude. Visual arts of the period, which are still largely unstudied as distinct from Romanticism or the Nazarenes, are highlighted here in the work of Georg Friedrich Kersting and Eduard Gaertner. With nearly 300 outstanding examples of German, Austrian and Czechoslovakian paintings, furniture, related decorative arts and works on paper, this is a superb document of the innovative character of the period and its importance as a precursor to modernism.

Softcover. Greenwich, CT, Fawcett Gold Medal Publishing, 1st, 1959, Book: Very Good, Dust Jacket: None, 143 pages. Paperback. Gold Metal Book #899. Cover art by Bayre Phillips. Light creasing to paper wrappers, gutters fragile. Spine cocked lightly.

Softcover. San Francisco, Rip Off Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Softcover, Regular Sized Comic Book. First Edition. (matte finish cover with blue shoes and pants). Contains tale of Dale Steinberger, Jewish Cowgirl, Eggs Ackley among the Vulture Demonesses and others.

Softcover. San Francisco, Rip Off Press, 3rd pr., 1969, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. Contains tale of Dale Steinberger, Jewish Cowgirl, Eggs Ackley among the Vulture Demonesses and others. Pages physically, if not morally, clean. 3rd printing as pictured with Crumb's name in red box, matte cover, green pants and shoes). 50 cents cover price. Mild wear.

Softcover. Lawrence KS, Spencer Museum of Art, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 300 pages, color illustrations. This extensive exhibition catalog explores humankind's deep connections and fascination with the plant kingdom through artworks from the Spencer Museum's permanent collection, a number of significant loans, and site-specific commissions by four artists-in-residence: Ackroyd & Harvey, Sandy Winters, and Mathias Kessler. The exhibition is organized through several themes: artists' studies of plant forms; historic and contemporary plant lore; ecological sustainability and biomechanical plant hybrids; plants in a post-human world; and works dealing with scientific research on how plants sense the world and communicate. One aim of the exhibition is to cultivate viewers' empathy for plants by addressing the tendency of humans to dismiss plants as a static backdrop to their fast-paced lives. Themes in Big Botany are explored further through an exhibition catalogue published by the Museum that includes short contributions from a variety of artists, curators, poets, philosophers, ecologists, and more. Clean, bright copy.

Softcover. NY, Black Spring Press, rep wraps, 1991, Book: Very Good, Dust Jacket: None, Softcover. Like new. 148 pages. Originally conceived in part as a companion piece to CITIZEN KANE, THE BIG BRASS RING--an original screenplay by Orson Welles, written three years before his death--reveals Welles's brilliance as a writer

Hardcover. Long Beach CA, Safari Press, reprint, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages, b&w illustrations. Originally published in 1904, it chronicles a hunting trip to several locations in Alaska, including sheep, bears, moose and more. Captain Radclyffe was an English gentleman-hunter who visited Alaska in 1903. He bagged Dall sheep on the Kenai Peninsula, back then a relatively new destination for sport hunting. He shot excellent brown bear and moose, one a 57-incher on Kussiloff Lake on the Alaska Peninsula. On his final bear hunt, a sow charged him and his native guide abandoned him. He was arrested for game law violations that prematurely ended his hunt for sheep, adding another interesting dimension to this well-written story. The charges against Radclyffe were later dismissed since he had an off-season permit to collect for the British Museum, but the authors partner was not so lucky. Radclyffe writes of how the judge enjoyed rubbing the dismissal into the face of the arresting marshal, and he paints a vivid picture of the interactions of the hunters, guides, and authorities. After all his troubles, he lost most of his trophies because of shipping problems related to the Russo-Japanese War. Clean, bright copy.

Hardcover. New York, Mysterious Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 406 pages. Clean copy. The second novel in the L.A. Quartet from this master of noir that began with The Black Dahlia, followed by this second novel, then L.A. Confidential, and finally White Jazz. The Red Scare is in full bloom in the Los Angeles of 1950 in this dark tale of three men caught up in a massive web of ambition and deceit.

Hardcover. NY, Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages, illustrated throughout in color. SIGNED BY ARTIST on half title page. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. London, Oxford University Press , 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, brick-red covers stamped with black lettering and line art of plane with map of Norway behind it. Color frontis by Howard Leigh and 6 b&w plates by Alfred Sindall. 1941 date on copyright page, no other printings noted, top edge stained red. Written by William Earl Johns, an English First World War pilot and writer of adventure stories, who wrote under the pen name Capt. W. E. Johns. He is best known for creating the fictional air-adventurer Biggles. In this exciting Biggles adventure, we see the much-loved adventurer stranded in Oslo during the Nazi occupation. Biggles is advised to find out all he can about the enemy's intentions, all while assuming the identity of a member of the Gestapo. Covers show wear, light soil. Small ink name on front endpaper, otherwise clean.

Softcover. Chicago, Bijou Publishing Empire, 2nd pr., 1972, Book: Very Good, Dust Jacket: None, Softcover, 32 pages with semi-glossy color covers, and b/w interior. Cover by Robert Crumb. Stories and art by Robert Crumb, Jay Lynch, Justin Green, and Skip Williamson. Saddle-stapled wraps. Light shelfwear.

Softcover. Berkeley CA, Kitchen Sink/Print Mint, 1st, 1969, Book: Good, Dust Jacket: None, Softcover in pictorial wraps, 50 cents cover price, 1st or 2nd Printing as they are considered indistinguishable, includes Jay Lynch, Skip Williamson, Justin Green, R Crumb, Jay Kinney, R Hayes, Kim Deitch, Jay Lynch, Roger Brand. 32 pages, some pages with wear, mild wrinkles.

Softcover. Berkeley CA, Bijou Publishing Empire, 1st, 1970, Book: Good, Dust Jacket: None, Softcover in pictorial wraps, 50 cents cover price, 32 pages, some pages with wear, mild wrinkles, cover starting to split at spine top 2 inches. Cover art by Crumb, inside stories by Jay Lynch, R. Crunb, Justin Green, Jay Kinney.