Hardcover. Baden GR, Lars Muller, 1st, 2011, Book: Very Good, Dust Jacket: None, Folio, hardcover. Numerous color illustrations. Hannes Wettstein was one of the most innovative and influential designers in Switzerland. His products, furniture, and interior designs not only influence our everyday life, but also the way we understand design in the present day. In 2008 Wettstein died aged 50. For the first time his life's work will now be celebrated and documented in a monograph. The publication presents images from Wettstein's world--works, sketches, and personal objects.Text in English, German, and Italian. Like new in publishers shrink-wrap.

Hardcover. NY, Charles Scribners Sons, 1st illust. thus, 1915, Book: Very Good, Dust Jacket: None, Hardcover, light blue cloth pictorially stamped in color and gilt, top edge gilt. Juvenile classic illustrated with 8 color plates and endpapers drawing by George Wharton Edwards. 380 pages, clean copy.

Softcover. New York, WMAA/Prestel, 1st, 1990, Book: Very Good, Dust Jacket: None, 200 pages. Softcover. Full color illustrations. Shallow crease at bottom right corner of front cover. Clean, unmarked copy. Goodman's book, with essays by Clement Greenberg and Irving Sandler and the artist's own statements, provides an excellent introduction to the life and work of the man frequently called the dean of the New York School of Abstract Expressionism.

Softcover. Princeton NJ, Princeton University Press, 2nd pr., 1997, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 255 pages. Color and black and white illustrations throughout. Second paperback printing. Bright and clean. Hans Holbein the Younger (1497/8-1543), one of the most versatile and admired painters of the Northern Renaissance, trained under his father in Augsburg and then worked for leading patrons in Switzerland before settling in England as Court Painter to Henry VIII. To commemorate the five-hundredth anniversary of the artist's birth, Oskar Batschmann and Pascal Griener offer this richly illustrated book the first comprehensive monograph on the artist to appear in more than forty years which is a major advance in our understanding of Holbein's contribution to European art.

Softcover. Belgium, Ludion , 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, color illustrations throughout. Clean copy.

Hardcover. Washington DC, Smithsonian, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 166 pages. Accompanied by a biographical essay by Carolyn Kinder Carr, this collection of seventy-five of Hans Namuth's photographic portraits, taken between 1950 and 1989, shows how his friendships with his often reclusive subjects and his determination to capture the essence of each artist's style resulted in revealing portraits of such notable painters as Willem and Elaine de Kooning, Mark Rothko, Roy Lichtenstein, Jasper Johns, Andrew Wyeth, Helen Frankenthaler, and Andy Warhol. Although Namuth identified most closely with the Abstract Expressionists who became famous in the 1950s and early 1960s, his repertoire included a new generation of 1980s artists, among them Julian Schnabel and David Salle. In both his black-and-white and color photographs, Namuth used subtle but telling poses, settings, and details: John Steinbeck appears with his famous dog Charley; Philip Johnson stands jauntily on a staircase in the Museum of Modern Art beside a painting that he donated; Louise Nevelson wears jewelry that echoes the sweeping lines of her wood sculpture.

Washington. DC, Smithsonian, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 75 portraits of artists in black & white and color by Namuth. 166 pages. Accompanied by a biographical essay by Carolyn Kinder Carr, this collection of seventy-five of Hans Namuth's photographic portraits, taken between 1950 and 1989, shows how his friendships with his often reclusive subjects and his determination to capture the essence of each artist's style resulted in revealing portraits of such notable painters as Willem and Elaine de Kooning, Mark Rothko, Roy Lichtenstein, Jasper Johns, Andrew Wyeth, Helen Frankenthaler, and Andy Warhol. Although Namuth identified most closely with the Abstract Expressionists who became famous in the 1950s and early 1960s, his repertoire included a new generation of 1980s artists, among them Julian Schnabel and David Salle. In both his black-and-white and color photographs, Namuth used subtle but telling poses, settings, and details: John Steinbeck appears with his famous dog Charley; Philip Johnson stands jauntily on a staircase in the Museum of Modern Art beside a painting that he donated; Louise Nevelson wears jewelry that echoes the sweeping lines of her wood sculpture.

Hardcover. Chicago, Haymarket Books, 1st US, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Two-color illustrations by Laura Barrett. Greta lives with her brother Hansel on the edge of a great forest - a forest in danger of destruction. GreedyGuts, their aunt, doesn't appreciate Hansel and Greta's plans to replant trees and save the forest. In fact, she thinks they're horrible little vegetarians. GreedyGuts doesn't give two hoots about nature. She favors luxury and living it up: eating, shopping and partying hard and so she hatches a plan to get rid of the meddling, do-gooder kids deep in the woods. With her trademark subversive and comic eye, Jeanette Winterson retells the classic tale of Hansel and Gretel.

Hardcover. New York, Monacelli Press , 1st, 2012, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover without dust jacket. Extensive b&w and color photography throughout. Illustrated end papers and fly leafs. Includes extensive bibliography and chronology. Clean, tight copy. In early October 1959, thirty-two-year-old Allan Kaprow presented a performance piece entitled "18 Happenings in 6 Parts." This unique conjunction of visual, aural, and physical events, performed for an intimate art world audience by his friends and colleagues, would change the course of art history. The genre of artwork that evolved from this debut would become known as Happenings. This new volume provides a comprehensive look at this revolutionary art form. Prepared in conjunction with an exhibition at the Pace Gallery in New York, it focuses on the years that saw the movement's birth in New York and Provincetown, Mass., and the artists who made the genre a legend: Red Grooms, Allan Kaprow, Robert Whitman, Jim Dine, Claes Oldenburg, Simone Forti, Carolee Schneemann. Together, they created a new and outrageous art form with an "anything goes" attitude, one whose influence is still felt within the contemporary art world.

Hardcover. Mountain View CA, Review and Herald Publishing , 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. A well-intentioned and very campy book of advice and encouragement for a married couple from the well-known Adventist, Harold Shryock. Circa 1949 and reflects the attitudes of the period. Color and b&w photos illustrate this domestic fantasy. Clean, bright copy.

Hardcover. London, England, Adam & Charles Black, 1st Larger Size Edition, 1909, Book: Good, Dust Jacket: None, 204 pages. Hardcover. Color illustrations throughout. Top edge gilt. Deckled edges. Previous owner's book plate and pen marks on front endpapers. Front hinge cracked, binding still good. Red decorated cover boards, gilt title on spine (faded). Pages have some foxing and tanning from age. Illustrations still very vivid and in excellent condition. Artist memoir and beautiful look at her life in England, painted by her own hand. DOMESTIC SHIPPING ONLY.

Hardcover. US, NBM Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 110 pages, hardcover illustrated throughout in color and b&w. Clean, tight copy.

Hardcover. US, NBM Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 110 pages, illustrated throughout in color and b&w. Opper was already a quite successful cartoonist/illustrator for the prestigious Puck magazine when William Randolph Hearst lured him out to create a comic strip for the New York Journal. While a step down from (relatively) high to low brow, Opper jumped at the chance and out came ?Happy Hooligan" an un-heroized vagrant who ends up very badly at the end of each strip, no matter how much good he might mean. His perennial demise surely went on to inspire Wile E. Coyote or Mr. O, especially as his own cowardice and unworthiness contributes to his hilarious woes. This second entry in ?Forever Nuts' presents a collection of the better early full color Sundays. Clean, tight copy.

Hardcover. US, NBM Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 110 pages, illustrated throughout in color and b&w. Clean, tight copy.

Hardcover. Bologna, Damiani , 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering, cover label on front cover, 160 pages. Diary of a Set Designer is a book of Polaroids taken over 25 years by Happy Massee while traveling the world as a production designer. The photographic journal is a journey through time, with a collection of images taken with the now-defunct Polaroid camera--which, at the time, was essential to the art of designing for film. One of the industry's top production designers, Massee has enjoyed a career spanning the realms of theater, film, commercials and fashion. He has worked with established directors such as Wes Anderson, David Lynch, David Fincher, Michel Gondry and more, while in the world of fashion he has collaborated with the likes of Inez and Vinoodh, Peter Lindbergh and Craig McDean, and worked for brands such as Gucci, Valentino, Armani, Bulgari and Swarovski. His film credits include, among others, Broken English, directed by Zoe Cassavetes, and Two Lovers, directed by James Gray, and he has designed sets for music videos such as Jay Z's "99 Problems" and Madonna's "Take a Bow." In this volume, "the images of personalities, sets, locations and encounters," Massee explains, "all tell a story related to my work and travels, and the people I met while on them. The images, raw and unretouched, are candid, and capture my art as well as my life as I like to travel through it." Still in publisher's shrinkwrap.

Hardcover. Hanover NH, University Press of New England , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Through furniture, this exhibition catalogue will explore the cultural identity of a little-studied region of 18th and 19th century New England: southeastern Massachusetts, an area that stretches from just south of Boston to Providence, east to the tip of Cap Cod, and includes the islands of Nantucket and Martha's Vineyard. The era between 1710 and 1850 was marked by enormous changes in the landscape, population, and economy of this area, as well as in the activities of furniture craftsmen and the purchasing patterns of local residents. Three themes are paramount here: 1. Regionalism in the character of furniture made in the area and the forces that shaped that identity. 2. Fashion, changing tastes and the growing affluence of local residents over time. 3. Shop practices and the evolving craft practices of furniture makers through the recreation of two shops, the rural handcraft tradition of Samuel Wing of Sandwich in 1800 and the mechanized operation of a New Bedford or Fall River chair factory in 1850. The exhibition will include approximately 75 pieces of furniture from private and institutional collections, tools and equipment from the Samuel Wing cabinet shop (now owned by Sturbridge Village), and selected household furnishings depicting interiors in southeastern Massachusetts during the 18th and 19th centuries. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Softcover. New York, Penguin Books, 1st, 1990, Book: Very Good, Dust Jacket: None, 96 pages. Large-format softcover. Black and white art by Burns throughout. Light edgewear to paper wrappers.

Hardcover. London, Polygon, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 347 pages. Hardcover with dust jacket. Clean, tight copy. Harlem, 1969, and the vibrant community around 125th Street is rife with creative innovation. Troubled genius Donny Hathaway, bandleader King Curtis, and Miles Davis and his visionary wife Betty Mabry are reinventing black music. Jimi Hendrix is staging a benefit concert in support of the Biafran famine victims, and helping him behind the scenes is flamboyant indie label owner and heroin kingpin, Fat Jack Taylor. The Apollo Theater is bringing the best of soul music to the crowded streets, and at the height of a blistering summer Harlem plays host to Black Woodstock, a series of free concerts starring Sly and the Family Stone, Stevie Wonder and Nina Simone.Meanwhile, a city-wide raid has led to the arrest of twenty-one members of the Black Panther Party - and ultimately to one of the most controversial trials of the era - and a heroin epidemic is spiralling out of control. Young people are dying on the streets of Harlem faster than the body count in Vietnam.Stuart Cosgrove's critically acclaimed trilogy began with Detroit 67 and was followed by Memphis 68, which won the Penderyn Prize for Music Book of the Year in 2018. Harlem 69 brings his epic story of sixties soul to its triumphant conclusion.

Hardcover. NY, Doubleday, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 336 pages. From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, a gloriously entertaining novel of heists, shakedowns, and rip-offs set in Harlem in the 1960s. "Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his facade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. Harlem Shuffle's ingenious story plays out in a beautifully recreated New York City of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. 

Hardcover. Naperville IL, Sourcebooks MediaFusion, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 502 pages, b&w illustrations. For three decades after World War I, Harlem was the site of burgeoning racial and cultural awareness and ambitions among African Americans. In the opening section of this book, Wintz provides the historical context for what became known as the Harlem Renaissance. In separate sections devoted to poetry, music, politics, art, and the phenomenon of the New Negro, contributors profile many of the era's major figures, including Langston Hughes, Zora Neale Hurston, Bessie Smith, Ethel Waters, Josephine Baker, W. E. B. DuBois, Paul Robeson, A. Phillip Randolph, and Marcus Garvey. The essays place the Harlem Renaissance in the broader context of an awakening of black culture throughout the U.S. The book contains references to the accompanying CD, which offers 60 minutes of music, poetry, interviews, performances, and speeches, giving voice to the vibrant life of Harlem. Photographs, drawings, book covers, and posters add to the richness of this collection. A fabulous resource on the Harlem Renaissance.

Hardcover. NY, Doubleday, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations, map by Letizia Galli. A beautiful gown forms the focus of activity for the zany characters that introduce young readers to the Commedia del l'arte and the history of comic theater, along with a map, a list of stock characters, and historical notes.

Hardcover. Angel City Press, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover, profusely illustrated, 208 pages. When Jean Harlow became the Blonde Bombshell, it was all Hollywood's doing. She was the first big-screen sex symbol, the Platinum Blonde, the mold for every famous fair-haired superstar who would emulate her. Yes; even Marilyn Monroe followed Harlow's lead. In her short decade in Hollywood, Harlow created a new genre of movie star--her fans idolized her for her peerless image, her beautiful body, and her gorgeous facade. Harlow in Hollywood is the story of how a town and an industry created her, a story that's never been told before. In these pages, renowned Harlow expert Darrell Rooney and Hollywood historian Mark Vieira team to present the most beautiful--and accurate--book on Harlow ever produced. With more than 280 rare images, the authors not only make a case for Harlow as an Art Deco artifact, they showcase the fabulous places where she lived, worked and played from her white-on-white Beverly Glen mansion to the Art Deco sets of Dinner at Eight to the foyer of the Cafe Trocadero. Still in publisher's shrink wrap.

Hardcover. Boston, Northeastern University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 426 pages, b&w photographs. Bright, clean copy. This engaging biography of Harold Arlen charts the course of his brilliant career, from band leader in his native Buffalo, New York, to songwriter and vocalist in vaudeville, to composer of Broadway musicals and revues at Harlem's Cotton Club, to writer of the everlasting music in The Wizard of Oz and other films. Drawing on a treasure trove of family documents and memorabilia, Edward Jablonski vividly describes Arlen's life, including his loving but troubled marriage to Anya, the strained relationship with his father and brother, his alcoholism and illnesses, and his friendship with Marlene Dietrich. Populated with such greats as Johnny Mercer, George and Ira Gershwin, E. Y. Harburg, Bert Lahr, and Judy Garland, the book also captures the spirit of Arlen's times and conveys a sense of the inner workings of the music business.

Hardcover. NY, Knopf, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 599 pages. Don't pick up this fascinating, deeply eccentric book expecting to find a conventional biography of Eugene V. Debs (1855-1926). The fiery American labor leader who founded the Socialist Party of America is not so much the subject as the central figure in a group portrait of utopian dreamers--including Karl Marx, Brigham Young, abolitionist Wendell Phillips, poet James Whitcomb Riley, and detective-agency founder Allan Pinkerton--from the time of the French Revolution through the dawn of the 20th century. Author Marguerite Young is a legendary Greenwich Village bohemian who died in 1995. She devoted the last 25 years of her life to this volume, which was intended as a recapitulation of the issues that had engaged Debs - justice for workers, peace for everyone, racial equality - and continued to galvanize America in the 1960s and beyond. Young doesn't provide a lot of straight factual information about Debs's life, but takes instead a snapshot of his soul as it was formed by reading and experience. The narrative closes (sort of) with the national railroad strike of 1877, a bitter defeat for labor that turned railroad worker and union activist Debs toward greater radicalism. Though not a work for the traditionally minded, Young's genre-bending book will thrill students of American social and socialist history. Clean copy.

Hardcover. New York , Random House , 1st, 1967, Book: Very Good, Dust Jacket: Fair, Hardcover, 307 pages, over 250 photos and illustrations with 16 color plates. Wonderful photos by Avedon (25), Dahl-Wolfe (12), Munkasci (11) and many others. Purple cloth covers with an edgeworn, soiled dust jacket.

Hardcover. NY, Harper & Bros, 1868, Book: Good, Dust Jacket: None, 864 pages, b&w engravings throughout. 3/4 black calf leather over pebble grain cloth covered boards. Rubbing to the leather. Subjects: Lookout Mountain & How We Won It, John Bull in Abyssinia, Among the Andes of Peru and Bolivia, Fashions in Guinea, Chinese Embassy to Foreign Powers, Explorations in Lower California, Shooting Stars and Meteors, Fish Culture In America, many other articles. Hinges cracked, library bookplate on inside front cover, otherwise a clean, tight copy.

Hardcover. Boston, Houghton Mifflin, 4th Ed., 1881, Book: Very Good, Dust Jacket: None, Two volumes complete, 594, 596 pages. Bound in 3/4 red leather over marbled boards. Top edge gilt, gilt titles on spine faded slightly. Harriet Martineau (1802-1876) was an English social theorist often seen as the first female sociologist. She wrote from a sociological, holistic, religious and feminine angle, translated works by Auguste Comte, and, rarely for a woman writer at the time, earned enough to support herself. Previous owner's bookplate inside front covers, otherwise clean.

Softcover. Schiffer, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Harrison Fisher: Defining the American Beauty is the largest picturial guide to this popular artist ever produced. Nearly 450 color and black and white reproductions of his magazine covers and book illustrations document this important artist's career. Harrison Fisher enjoyed incomparable fame from 1905 to 1920, achieving celebrity status and holding the enviable position of national beauty judge. Fisher portrayed the American woman as an outgoing, lively personality, wealthy and healthy. She rode horses, played tennis, and motored in the new automobiles while holding court for admiring men. Fisher's portrayals of such beauties added market value to dozens of novels as well as hundreds of magazines which clamored for his art on both their covers and inside pages. With Fisher's work extremely hot on the collectibles market, new and seasoned buyers alike will benefit from the advice of antiques dealer and Price Guide author Bruce Magnotti.

Hardcover. Providence RI, Matrix, 1st, 1980, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated with numerous color plates. Square folio, yellow-lettered gray cloth in a matching cloth slipcase with inset pictorial lab. Profusely illustrated with reproductions of color photographs by Harry Morey Callahan (1912-1999), considered one of the great innovators of modern American photography. One b/w photograph of Callahan. "This monograph offers us a rare privilege and opportunity. It introduces us to a large body of previous uncollected, unpublished, and even unexhibited imagery by a master photographer. And it lets us see how a sensibility best known for a methodical and consistent exploration of the potentials of black and white photography has responded to the coloristic possibilities of the same medium." Foreword by Jonathan Williams, afterword by A. D. Coleman. Includes chronology and bibliography. Includes selected bibliography and chronology. Light crease to first 3 pages proceeding title page, otherwise a clean bright copy. Mild fade to top of slipcase. DOMESTIC SHIPPING ONLY.

Softcover. Old Lyme. CT, Florence Griswold Museum, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 89 pages, b&w illustrations, 29 color plates, illustrated tissue guard. Light wear to wrapper corners. Else a very clean, tight copy. A book examining the life and work of an artist noted for his joie de vivre and for his versatility as an artist from winter views of New England to undersea paintings of the Bahamas. 89 pages, 29 color & 40 b/w illustrations with unique color frontispiece on vellum.

Hardcover. NY, Arthur A. Levine Books, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Copyright page has the full number line "10 9 8 7 6 5 4 3 2 1 9/9 0/0 1 2 3 4". Below the number line is "Printed in the U.S.A. 37", and below that is "First American edition, June 1999." Boards are blue with an embossed diamond pattern, and a green cloth spine. The dust jacket has $17.95 price on the upper corner of the front flap. The dust jacket back has a diagonal bar code field on the left side, and the small bar code within has the number "51795". The spine on both the book and dust jacket lack the YEAR 2 badge that was introduced later, and silver lettering is raised on the spine of the dust jacket. This copy has the following first-state errors: on the page flanking the title page indicating Rowling's previous books, "Harry Potter and the Sorceror's Stone" instead of "Sorcerer's Stone" and on page 332, the last word "ancestor" should be "descendant".

Hardcover. New York, Arthur A. Levine / Scholastic, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First state printing with all points of issue satisfied: $17.95 price on front flap, no #2 on spine of DJ or book, raised diamond pattern on dark blue boards, and raised silver letters for title and author name on DJ. 10-1 number line and '37', and first American edition June 1999. An attractive and collectible copy.

Hardcover. NY, Arthur A. Levine Books, 1st US, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The copyright page has the full number line "10 9 8 7 6 5 4 3 2 1 0/0 01 02 03 04". Below the number line is "Printed in the U.S.A. 23." The dust jacket back has a red bar code field on the bottom right side, and a blurb on the top that says "Sequel to the #1 New York Time Bestseller HARRY POTTER AND THE PRISONER OF AZKABAN". Boards are rust red with an embossed diamond pattern, and a black cloth spine with gold lettering. The dust jacket has $25.95 price on the upper corner of the front flap The first printing has a YEAR 4 badge on the upper spine of both the book and the dust jacket. This is the second novel in the Harry Potter series to carry the badge when first issued. Clean, collectible copy.

Hardcover. NY, Arthur A. Levine Books, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped ($29.99) dust jacket. B&w Illustrations by Mary GrandPre. Black half-cloth, purple boards with diamond embossed design, Year 6 printed at top of spine. First American edition, July 2005, printing line: ''10 9 8 7 6 5 4 3 2 1 05 06 07 08 09 USA 23''. Error on page 100: ''eleven 'Outstanding' O.W.L.s.'', in later editions this was changed to ''ten'' O.W.L.'s'. Clean, collectible copy.

Hardcover. NY, Arthur A. Levine Books/Scholastic, 1st US, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated by Mary GrandPre. This is the true first edition first printing of the US edition of the fifth book in the Harry Potter series. The copyright page states "First Edition" with the full number line, price $29.99 intact.

Hardcover. NY, Arthur A. Levine/Scholastic Press, 4th pr., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Extremely early (4th) printing of the First American Edition from Oct. 1998 of the very first book in this beloved series. For this printing, the Guardian quote on rear has been replaced with one by Publisher's Weekly, but the original $16.95 price, correct bar code on rear, "J.K." initials on spine, raised title in gilt on front cover, recessed author name in gilt on lower spine, & NO spine symbol. Hardcover book has the patterned purple paper & red quarter cloth-wrapped spine. Clean, collectible copy of this first book in the series.

Hardcover. New York, Arthur A. Levine / Scholastic, 1st, 1998, Book: Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Fourth printing of the First Edition (with number line on copyright page "5 7 9 10 8 6 4 8 9/9 0/0 01 02" with "Printed in the US 23 below. First American edition, October 1998" )/ First Edition (stated) of Book One of J.K. Rowling's now classic Harry Potter series. This copy has all the points of the TRUE FIRST US EDITION. Book is bound with red cloth spine with gold lettering and has the diamond pattern purple paper over boards. There is no volume number on the spine. The book has green end papers. The second Issue dust jacket has the original $16.95 price and there is no volume number on the jacket's spine (later printings stated the book number) . The blurb on the back cover of the dust jacket is from Pubisher's Weekly (the first issue had The Guardian review). The back cover of the DJ has 2 bar codes at the bottom, with the numbers 51695 above the smaller one. The "Harry Potter" in gold lettering on the front panel of the jacket is raised and there is no date on the title page. Child's marking with green marker on rear endpapers. Finger smudge at top right corner of page 113 which carries to foredge. Small area of discoloration at very bottom of spine cloth. Dust jacket protected with clear plastic cover. Clean, unmarked text.

Hardcover. Insight Editions, 1st, 2018, Hardcover in pictorial boards. This unique package created by pop-up book master Matthew Reinhart folds open to a 33" x 37" 3-D recreation of Hogwarts designed to delight Harry Potter fans. It features five large spreads and 30 individual pop-ups. An exhilarating, interactive guide to the iconic school of witchcraft and wizardry This book features spectacular pop-up re-creations of key locations inside and outside Hogwarts castle, and it opens flat to form a pop-up map of the castle and its grounds-including the Quidditch pitch, the Forbidden Forest, and beyond In addition to large pops on each spread, numerous mini-pops will bring to life beloved elements from the Harry Potter films, such as the Marauder's Map and the Flying Ford Anglia. Each pop-up includes insightful text about Hogwarts as seen in the films. Clean, still in publisher's shipping box.

Hardcover. NY, Greenwillow Books, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly worn dust jacket with a small chunk gone from rear panel, unclipped. Harry, a little rabbit, does not know how to help his family prepare for winter but succeeds when he brings a summer song. An inspired picture book by an award winning author-artist. The charming, full-color art was produced from watercolor paintings. Unpaginated (approx. 28 pages).

Softcover. Hartland VT, Hartland Historical Society, Book: Very Good, Dust Jacket: None, Softcover, 8 1/2 X 11", stapled wraps with photo of grazing sheep on front. 73 pages, b&w illustrations throughout, maps on inside covers. Clean copy. Scarce.

Hardcover. NY, Knopf, 2nd pr., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a price-clipped dust jacket with light fading to the spine, 367 pages. Translated from the Russian by H.C. Stevens. Continuation the story begun in Virgin Soil Upturned (1935) of a collective farm organized under the supervision of the Communist Party in a small Don village. Clean copy.

Hardcover. New York , Watson-Guptill Publishing, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Oversized. Brown cloth cover, very little wear. Dust jacket has minor edgewear. Inside is bright and clean, with both b&w and color illustrations throughout. A nice copy.

Hardcover. New York, Watson-Guptill Publishing, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Artist Harvey Dinnerstein writes about his personal approach to and process of painting. 144 pages, 80 color and 58 black/white reproductions of his work at various stages. Cloth bound book is in near fine condition, very clean copy; dust jacket has slight wear and a few creases around the edges.

Hardcover. Santa Cruz, CA, Flesk Publications, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Color illustrations. Clean, unmarked copy with only minor wear to dust jacket. Harvey Dunn was one of twentieth century America's most powerful illustrators, painters and teachers. This comprehensive volume covers a major portion of his illustrations and paintings for the first time. Content includes illustration art, pioneer and western works, and his powerful World War I pieces inspired by his battlefield sketches. Also included are the rarely seen nudes, portraits, and murals. Paintings from museums and private collections showcase the full range of this talented American artist. For this book, many original paintings were tracked down and re-photographed in order to reintroduce the work of this important artist. Until now, most of Dunn's paintings and illustrations have been unavailable to the public in their original form. Locations of pictures in public collections are listed, as are the original publication dates and places. Additionally, a section is devoted to the artist's working and teaching methods. Also included is a reprinting of Dunn's "An Evening in the Classroom," compiled from notes made during critiques, passing on his inspirational teaching philosophy. A comprehensive list of Dunn's students with sample art is included as well.

Hardcover. UK, PS Art Books, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects January 1951 - January 1952 (Issues 1 - 7). Witches Tales ran for 28 issues in the 1950s.

Softcover. Seattle, Fantagraphics Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Large softcover, 124 pages, color and b&w illustrations. The seventh volume in this distinguished series focuses entirely on one of comics' most esteemed and influential creators: artist, writer and editor Harvey Kurtzman, whose complete Comics Journal interviews are collected in this oversized, lavishly illustrated full-color edition.

Hardcover. London, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. Hats by Madame Paulette will appeal to fashion experts and aficionados of fine millinery alike, providing an essential guide on the most indispensable fashion item of the mid-twentieth century; no woman would consider herself formally dressed without a hat. In addition to celebrities vying for Madame Paulette's creations, fashion photographers clamored for her designs. Included here are photographs from Avedon, Newton, Horst, and Klein, as well as film stills of the hats she designed for Cecil Beaton that appeared in My Fair Lady and Gigi. 150 illustrations, 50 in color

Hardcover. NY, Prestel, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages. Ever since Fidel Castro came to power as the leader of Cuba's communist regime in 1959, Havana has remained all but impenetrable to the outside world. The revolution cut Cuba off from the West, but at the same time preserved a century of built substance and style through the accident of fmancial stagnation. Without capital investment, time stood still, and five epochs of architectural style have survived to the present day. From the majesty of colonial city palaces to the half-hearted hope of heroic modernism, Engels' photographs show a city in silent transition, a microcosm of architecture through the ages. All of the structures picttired here were built in the twentieth century, but for the most part they have suffered from neglect in the form of peeling paint and stucco, &M grime, and abandonment. Yet there is utter beauty and dignity here-a sense of being trapped in time-that is no longer evident in America's everchanging cities. Like the structures he photographs, Engels uses a timeless approach to the artistic and technical aspect of his work. He uses a Sinar catnera with a 4 x 5 inch format, standing under a darkening cloth, just as photographers did a century ago. Using a Polaroid image to feel and see the light, Engels takes a single shot of each building. Most of these images were taken during die month of February, in 1997 and 1999 respectively. These photographs of apartment dwellings, office buildings, private residences, and places of worship tell a story on their own. Their haunting images seem to speak about more than just the men who made them or the materials they are made of. The buildings and streetscapes depicted in Havana speak to us of yesterday, today, and tomorrow.

Hardcover. New York, Harry N. Abrams, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 288 pages, illustrated throughout in color and b&w. Brown cloth, pictorial dust jacket. Beautiful copy in shrinkwrap. Like new. The first biography of the couple who created the landmark collection that is still the base of most American museums.

Hardcover. San Francisco, Chronicle Books , 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, lovely color illustrations by Sylvia Long. Pete is a shy young boy whose family has moved away from all that is familiar and comfortable to him. In his new town Pete discovers a hill where he can watch hawks fly, and a reclusive woman who cares for injured wild birds. Pete and the woman communicate through the love that they share for wild creatures. Pete discovers there are things he can do that are important to the earth and all the creatures dwelling here. Clean copy.